The Estate of Tom Wesselmann



Selected Catalogues

'Tom Wesselmann', Susan Davidson, Almine Rech Editions

'Tom Wesselmann - A Different Kind of Woman',  Almine Rech, Brenda Schmahmann and Anne Pasternak, Almine Rech Editions

Alexander, Darsie, ‘International Pop Art’, Walker Art Center, Minneapolis
Germano Celant (Ed.), ‘Arts & Foods, Expo Milano and Mondadori Electa’, Verona, Italy

‘Art or Sound’, (exhibition catalogue) Fondazione Prada, Venice, Italy
‘Pop to Popism’, (exhibition catalogue), Art Gallery of New South Wales, Sydney, Australia
‘Ludwig Goes Pop’, (exhibition catalogue), Museum Ludwig, Cologne, Germany
‘The Shaped Canvas’, Revisited, (exhibition catalogue) Luxembourg & Dayan, New York

John Wilmerding, ‘The Pop Object: The Still Life Tradition in Pop Art’ (exhibition catalogue), New York, Acquavella Galleries & Rizzoli
‘Tom Wesselmann, Works on Paper – Steel Drawings – Screenprints – Paintings’, (exhibition catalogue), Samuel Vanhoegaerden Gallery, Knokke, Belgium
‘Ileana Sonnabend; Ambassador for the New’, The Museum of Modern Art, New York, (exhibition catalogue)

Stéphane Aquin, ‘Beyond Pop Art, Tom Wesselmann’ (exhibition catalogue), Montreal Museum of Fine Arts, Montreal, Quebec and Delmonico Books, New York
Mildred Glimcher, ‘Happenings’, New York, 1958-1963, Monacelli Press, New York

‘Tom Wesselmann Draws’ (exhibition catalogue), The Kreeger Museum, Washington, DC

‘Tom Wesselmann, Plastic Works’, Maxwell Davidson Gallery, New York, (exhibition catalogue)
Judith Goldman, Robert & Ethel Scull, ‘Portrait of a Collection’, New York, Acquavella Galleries
‘Tom Wesselman, Flowers’, Galerie Klaus Benden, Cologne (exhibition catalogue)

‘Tom Wesselmann, Journey into the Landscape –Steelcuts’, Galerie Thomas, Munich, Germany, (exhibition catalogue)
‘The Figure and Dr. Freud’, Haunch of Venison Gallery, New York, (exhibition catalogue)
‘Tom Wesselmann Draws’, Haunch of Venison Gallery, New York, (exhibition catalogue) 

Stefanie Kummerle, ‘Tom Wesselmann Faces 1963-1993’, (exhibition catalogue), Bonn; Weidle Publishing, for Galerie Benden & Klimczak, Cologne and Viersen, Germany
John Wilmerding, ‘Tom Wesselmann, His Voice and Vision’, New York: Rizzoli
Samuel VanHoegaerden, ‘Tom Wesselmann, Works on Paper, Laser-Cut Steels and Screenprints’, Knokke Belgium, VanHoegaerden Gallery (exhibition catalogue)
Ben Wiedel-Kaufman, ‘Tom Wesselmann Journeys into the Landscape’, (exhibition catalogue), London; Bernard Jacobson Gallery
‘Tom Wesselmann’, Honor Fraser Gallery, Los Angeles, (exhibition catalogue) 

John Wilmerding, ‘Wesselmann, Drop-Out’ (exhibition catalogue), New York; Maxwell Davidson Gallery & Yvon Lambert Gallery

‘Tom Wesselmann: The Sixties’ (exhibition catalogue). New York: L&M Arts
Judd Tully, ‘Tom Wesselmann, Sunset Nudes’ (exhibition catalogue), New York, Robert Miller Gallery
‘Tom Wesselmann’ (exhibition catalogue), Munich: Galerie Thomas

Danilo Eccher, Achille Bonito Oliva, Marco Livingstone, and Constance Glenn, ‘Tom Wesselmann’ (exhibition catalogue). Milan; Mondadori Electa S.p.A.
Maxwell Davidson Ill and Maxwell Davidson IV, ‘Tom Wesselmann, Works on Paper: Retrospective’ (exhibition catalogue), New York: Maxwell Davidson Gallery
‘Tom Wesselmann’, (exhibition catalogue). Ljubljana, Slovenia: Visconti Fine Art Kolizej

Robert Rosenblum, ‘Tom Wesselmann’, (exhibition catalogue). New York: Robert Miller Gallery.
Constance Glenn and Mary-Kay Lombino, ‘Tom Wesselmann, The Intimate Images’ (exhibition catalogue), University Art Museum, CSU, Longbeach
Danilo Eccher and Slim Stealingworth, ‘Tom Wesselmann’ (exhibition catalogue), Venice: Flora Bigai Arte Moderna e Contemporanea

‘Tom Wesselmann: Abstract Maquettes’ (exhibition catalogue), Cologne: Galerie Benden & Klimczak.

James Mayor Gallery, London (catalogue)

H.H. Arnason and Marla F. Prather, ‘History of Modern Art’, 4th Edition, New York: Abrams, pp. 540.-542.
‘Tom Wesselmann New Abstract Paintings’ (exhibition catalogue), New York: Sidney Janis Gallery.
Anne Umland, ‘Pop Art: Selections From the Museum of Modem Art’, pp.120-125

Galerie Hans Mayer, Dusseldorf 
Constance W. Glenn, ‘The Great American Pop Art Store, Multiples of the Sixties’ (exhibition catalogue), University Art Museum, California State University. Long Beach. 

‘Tom Wesselmann A Survey: 1959-1995’ (exhibition catalogue), Fred Hoffmann, Santa Monica, CA,
Waterline Teo Ltd., Singapore 
Townsend Wolfe and Ruth Pasquine, ‘Large Drawings and Objects: Structural Foundations of Clarity – Expressive Voices of the Meaningful’, Little Rock, AR: Arkansas Arts Center.

‘Tom Wesselmann’, (exhibition catalogue). New York: Sidney Janis Gallery York, Gallery Camino Real, Boca Raton, FL (catalogue)

Laurie S. Adams, ‘A History of Western Art’, p. 465.
‘Contemporary Great Masters, Tom Wesselmann’, Kodansha, Ltd.. vol.17.
‘Tom Wesselmann: A Retrospective Survey 1959-1992’ (exhibition catalogue), Tokyo: Shimbun, Isetan Museum of Art.

‘Tom Wesselmann. New Metal Paintings’, (exhibition catalogue), New York: Sidney Janis Gallery
Sam Hunter, ‘Tom Wesselmann’, Miami: Miami International Art Exposition, catalogue, January 8 – 12, pp. 44-45

‘Tom Wesselmann Steel Cutouts’, (exhibition catalogue). La Jolla: Tasende Gallery.

‘Tom Wesselmann, Steel Landscapes’ (exhibition catalogue), New York: Sidney Janis Gallery
Mario Livingstone, ‘Pop Art. A Continuing History’, London: Thames & Hudson, pp. 19, 23, 63, 82, 88- 91, 122-128, 155, 156, 175. 198-199, 216-218, 253, 254, 256 259; 78. 127-128,171, 173-174, 285-287, 315
Taman Osterwold, ‘Pop-Art’, Cologne: Benedikt Taschen Verlag

‘Wesselmann Recent Works ‘(exhibition catalogue),Tokyo: Selene Tokoro.
‘Tom Wesselmann, New Work’ (exhibition catalogue), New York: Sidney Janis Gallery

Ileen Sheppard, ‘Tom Wesselmann/A New Approach to Drawing’ (exhibition catalogue), The Queens Museum.
‘Exhibition of Cut-Out Metal Paintings by Wesselmann’, (exhibition catalogue), New York: Sidney Janis Gallery

Andrew Tilly, ‘Erotic Drawings’, New York: Rizzoli, p. 68.

Paul Cummings, ‘Twentieth Century American Drawings. The Figure in Context’, Maryland: Schneidereith & Sons. p. 141

‘New Work by Tom Wesselmann’ (exhibition catalogue)’, New York: Sidney Janis Gallery

‘New Sculpture & Paintings by Tom Wesselmann’ (exhibition catalogue), New York: Sidney Janis Gallery
Bradley Smith, ‘20th Century Masters of Erotic Art’, New York: Crown Publishers, Inc., pp. 16, 160-161
Tom Wesselmann (as Slim Stealingworth), ‘Tom Wesselmann’. New York: Abbeville Press.

‘An Exhibition of Recent Paintings by Tom Wesselmann’, (exhibition catalogue), New York: Sidney Janis Gallery

‘Tom Wesselmann’, Milan: Studio Marconi via Tadino

‘Tom Wesselmann’, New York: Sidney Janis Gallery

Constance M. Perkins et al. ‘La nouvelle figuration americaine, peinture, sculpture, film. 1963-1968/Neue Figuration USA, Malerei, Plastic, Film. 1963-1968’ (exhibition catalogue), Brussels: Palais des Beaux-Arts and Cologne: Kölnischer Kunstverein.

‘An Exhibition of New York by Tom Wesselmann’ (exhibition catalogue),. New York: Sidney Janis Gallery
Lucy Lippard, ‘Eros Presumptive. Minimal Art: A Critical Anthology’, Gregory Battock, Ed. New York

‘Tom Wesselmann (exhibition catalogue), Ileana Sonnabend Galen.
‘New Paintings by Tom Wesselmann, (exhibition catalogue). New York: Sidney Janis Gallery

Selected Press

John Dorfman, ‘The Body electric’, Art & Antiques, September 1st 2016
Kevin Conley, ‘The Most Famous Pop Artist You Don’t Know’, The New York Times Style Magazine, August 22nd 2016
Meredith Mendelsohn, ‘Art + Auctions. 8 Must-See Spring Art Exhibitions in New York’, Architectural Digest, May 9th 2016
Gabriella Angeleti, ‘From magazine cut-outs to brand-name billboards, gallery show offers a peek into Tom Wesselmann’s estate’, The Art Newspaper, April 19th 2016
Coline Milliard, Art World. Pop Legend Tom Wesselmann Like You’ve Never Seen Him Before’, artnet news, February 9th 2016
Wessie du Toit, ‘More sensual than a Campbell’s soup can: the collages of Tom Wesselmann’, Apollo Magazine, February 3rd 2016
David Joselit, “’International Pop’ and ‘The World Goes Pop’”, Artforum, January 2016, p. 230

Julie Engebrecht, ‘CAM exhibit reviews native son Wesselmann’s career’,, October 25th, 2014
Ray Mark Rinaldi, ‘Pop! Goes the world of Tom Wesselmann’, The Denver Post, July 31st, 2014

Philip Kennicott, ‘Museums. Exhibits on Oldenburg, Wesselmann offer deeper glimpse of Pop Art sensibility’, The Wahisngton Post, June 20th, 2013

Brian Boucher, ‘American Beauty: Q+A With Co-Curator of Tom Wesselmann Show’, Art in America, April 12th, 2012

Jessica Dawson, ‘Wesselmann Pops up at Kreeger Museum’, The Washington Post, April 22nd, 2011

Doug McClemont, ‘Tom Wesselmann, at David Janis and Maxwell Davidson’, ARTnews, Summer 2010, p. 126
Fred Kaplan, ‘Showing a Couple’s Eye for Art (and Money)’, The New York Times, April 9th, Weekend Arts, p.1

Aimee Walleston, ‘Art in America/Claire Wesselmann. WIFE AND MUSE: CLAIRE WESSELMANN ON TOM WESSELMANN’,, December 8th 2009
Karen Rosenberg, ‘The Figure and Dr. Freud, at Haunch of Venison’, The New York Times, August 13th, 2009 
David Galloway, ‘Art Cologne Hangs On’,The New York Times, May 1st, 2009

Carol Vogel, ‘Bacon Triptych Auctioned for for Record $86 Million’, The New York Times, May 15th, 2006
Carol Vogel, ‘A couple of Highlights in a Tepid Sotheby’s Sale’, The New York Times, November 12th, 2008

Roberta Smith, ‘Tom Wesselmann, Drop-Out.’, The New York Times December 28th, 2007
Carol Vogel, ‘The Art Market Continues to Boom as Records are Broken…’, The New York Times, May 16th, 2007

2006 £
Richard Kalina, ‘Pop’s High Modernist’, Art in America, December 2006, p. 124-129
Ann Landi, ‘Tom Wesselmann, L&M Ms and Robert Miller Gallery’, Artnews, Summer, 2006, p.176
Grace Glueck, ‘Tom Wesselmann’, The New York Times, March 31st 2006
David Cohen, ‘Pop Plus Past’, The Sun, March 30th, p.26
‘Tom Wesselmann: Sunset Nudes’, Antiques and the Arts Weekly, March 3rd, 2006, p.23
‘Tom Wesselmann; Artist Tom Sachs Zooms in on the Most Enigmatic Pop-Art Figure of All’, Interview Magazine, March 2006

Grace Glueck, ‘Tom Wesselmann, Works on Paper, Retrospective 1960-2004’, The New York Times, November 11th, 2005
Gabriele Simongini, ‘Tom Wesselmann, l’Essenza della Pop Art’, Tempo, June 8th, 2005, p. 42
Ludovico Pratesi, ‘MACRO, Nudi e Pop Art 01 Wesselmann’, La Repubblica-Roma, June 6th,2005, p. 35
Sam Hunter, ‘Remembering Tom Wesselmann (1931-2004)’, American Art, Summer 2005, Vol.19 No. 2, pp. 108-111
Dave Hickey, ‘Tom Wesselmann Museo d’Arte Contemporanea Roma’, Artforum, May 2005, p. 136
Robert Rosenblum, ‘His Girl Friday’, Artforum, April 2005, p.45
Meir Ronnen, ‘Looking Back, Looking Ahead’, The International Jerusalem Post, March 11th, 2005, p. 28
Rachel Somerstein, ‘Pop Provocateur’, Artnews, March 2005, p. 56

‘Liega a galleria Abstraccion del Pop’, El Norte, Vida, December 14th, 2004
‘Augenschmaus and Kunst-Genuss in der Region’, Neue Westfalalische, January 3rd-4th, 2004

Edward Leifingwell, ‘Tom Wesselmann at Maxwell Davidson and Robert Miller’, Art in America, November 2003, pp. 165-167 
David Pagel, ‘The Wesselmann Season’, Los Angeles Times, September 22nd, 2003
AJ Nadel, ‘An Interview with Tom Wesselmann’, NY Arts, Berliner Kunst, Summer issue

‘Tom Wesselmann, Nude with Picasso’, Art on Paper, September/October 2001, p. 77.
‘Richard Serra / Tom Wesselmann’, The New Yorker, September 3rd, 2001, p. 20
Ken Johnson, ‘John Baldessari, Jeff Koons, Tom Wesselmann’, The New York Times, July 6th, 2001
‘John Baldessari, Jeff Koons, and Tom Wesselmann’, The New York Times, June 22nd, 2001
Grace Glueck, ‘A Collector’s Collector Whose Works Went Pop’, The New York Times, May 4th, 2001
‘Blue Nudes, Tom Wesselmann, Galerie JGM’, The Art Newspaper, no. 123, March 2001

‘A Postwar Survey, Semi-Wild at Heart’, The New York Times, September 29th, 2006
‘Tom Wesselmann’ The New Yorker, November 20th, 2000
‘Tom Wesselmann: ‘Blue Nudes’, The New York Times, November 17th, 20001999 
‘Tom Wesselmann, Les ‘Monica’ ‘, L’Echo, May 7th, 1999
J.D., ‘Tom Wesselmann, Galerie Artiscope’, M.A.D., April 28th, 1999
‘Tom Wesselmann- Small Survey, Small Scale, 1960-98’, The New Yorker, March 8th, 1999, p.13 

‘Tom Wesselmann’, The New Yorker, June 15th, 1998, p 19
Andrew Decker, ‘Pop Goes the Easel’, Cigar Aficionado, March/April 1998, pp 286-297
Isabel Carlos, ‘Pop 60’s.’, Flash Art, p.92

Marion Stuckstatte, ‘Ausflug in eine pralle Freiheit’, Rheinische Post, June 24, 1997
Von Heinz-Norbert Jocks, ‘Unertragliche Leichtigkeit der Frohlichen Ironie’, Westdeutsche Zeitung/Dusseldorfer, June 15th, 1997
Vincent Katz, ‘Tom Wesselmann Sidney Janis’, Art In America, January, 1997, p. 107

Deidre Stein Greben, ‘Tom Wesselmann’, ARTnews, December 1996, vol. 95, no. 11, pp. 120 – 121.
Grace Glueck, ‘Tom Wesselmann, ‘Abstract Metal Paintings’ ‘, The New York Times, October 4th, 1996
David Pagel, ‘Tom Wesselmann’, Art Issues, Summer 1996, no. 43, p. 47
Peter Clothier, ‘Tom Wesselmann’, ARTnews, May 1996 
Susan Kandel, ‘Surveying Phases of Wesselmann’s Work’, Los Angeles Times, February 24, 1996.
Susie Wong, ‘Spontaneous Scribbles Lined with Steel’, The Straits Times, April 13th, 1996
Michael Darling, ‘Pop Tart; Tom Wesselmann’s Tacky Erotica.” L.A. Reader, March 8th, 1996, vol. 18, no. 22, p. 14

Owen Findsen, ‘Nudes No More’, The Cincinnati Enquirer, July 11th, 1995
Jerry Stein, ‘New Book Profiles Cincinnati Artist’, The Cincinnati Post, May 26th, 1995
Pepe Karmel, ‘Tom Wesselmann’, The New York Times, May 1995

Peter Sager, ‘Schone Linien der Lust’, Zeitmagazine, Hamburg, April 8th 1994, Nr. 15
Marcia, ‘Representational art in a big way’, Detroit Free Press, February 23rd, 1994, Section C, p.1, p. 6
Elisa Turner, ‘Tom Wesselmann’, Review, ARTnews, vol. 93, no. 1, January 1994, pp. 169-70

Joy Hakanson Colby, ‘A revealing look at Tom Wesselmann’s nudes’, The Detroit News, Friday, February 12th, 1993

Anja Losel, ‘Pop Art: Die Alten Meister’, Stern, March 1992, no. 13, pp. 64-65, 71, 79.
Cecile Whiting, ’Pop Art Domesticated: Class and Taste in Tom Wesselmann’s Collages’, Genders no. 13 (University of Texas Press), Spring 1992, pp. 43-72

Donald Kuspit, ‘On Being Boxed In’, Sculpture, vol. 10, no. 6, November/December 1991, pp. 30-37
Andrew Renton, ‘The Pop Art Show’, Flash Art, vol. 24, no. 161, November/December 1991, p. 137
Peter Bellars, ‘Wesselmann’s New Line Up’, Asami Evening News, November 2nd, 1991, p. 9
Dave Hickey, ‘La Jolla; Tom Wesselmann; Tasende’, ARTnews vol. 90, no. 8, October 1991, p. 144
Souren Melikian, ‘Pop Art: Resurecting an Old Joke’, International Herald Tribune, September 14th -15th, 1991, p. 7
Richard Dorment, ‘Painting that jumps off the gallery wall’ The Daily Telegraph/The Arts, September 13th, 1991, p. 12.
‘What and Who was Pop – A Questionnaire’, Modern Painters, vol. 4, no. 2, Autumn 1991, p. 56-57
Jonathan Saville, ‘Popping Off’, San Diego Reader, vol. 20, no. 30, August 1st, 1991, pp. 26-28
Leah Ollman, ‘Exchange Yields Another Effective Show’, Los Angeles Times, July 17th, 1991
Robert L. Pincus, ‘Wesselmann’s Art Loses Sly Playfulness As It Takes a New Twist’, San Diego Union, July 5th, 1991
Owen Findsen, ‘Wesselmann masters female nude form’, The Cincinnati Enquirer, January 8th, 

Gino Grassi, ‘Adamo contra Eva, Terza Pagina, December 14th, 1990
Vitiliano Corbi, ‘A Bapoli dieci opere di Tom Wesselmann padre della pop art, I laser nudes della rivolta, Storie di donne metalliche’, La Republica, December 8th, 1990
Lise Holst, ‘Tom Wesselmann at Janis’, Art In America, November 1990, p. 202 Donald McCarthy, ‘Tom Wesselmann and the Americanization of the Nude’, The Smithsonian Studies in American Art – National Museum of American Art vol. 4 no. 3-4, Summer – Fall 1990, pp.103-127
‘Tom Wesselmann at Sidney Janis and O.K. Harris’, Gallery Guide, New York Preview, May 1990, p. 3
Helen-Louise Seggerman, ‘The New York Letter’, Tableau, April 1990, p. 73

Tom Lubbock, ‘Great American Pop Show’, The Independent, August 9th, 1988
Lucy Ellman, ‘Art Two-Dimensional’, New Statesman & Society, August 5th, 1988 
Tony Godfrey, ‘Exhibition Reviews’, The Burlington Magazine, August 1988
Giles Auty, ‘Arts Exhibitions: Poporific’, The Spectator, July 30th, 1988
Sarah Kent, ‘On Flesh as Fast Food’, Tower House, July 27th, 1988
William Feaver, ‘Arts’, The Observer, July 17th, 1988
‘Tom Wesselmann’, Blueprint, July 1988

Bill Jones, Tom Wesselmann’, Flash Art, October 1987
‘Les femmes en métal de Wesselmann’, Le Monde, May 23rd, 1987. p. 22
Karin Lipson, ‘Lively Variations of an Artist’s Themes’, Newsday, May 1st, 1987
Philippe-Evans Clark, ‘Tom Wesselmann dans la tradition de l’expressionisme abstrait’, Art Press, no. 114, May 1987, pp. 4-9.
Vivien Raynor, ‘Art: Show of Works by Tom Wesselmann’, The New York Times, April 24th, 1987

‘Del Pop al Op’, Semana, March 1986, p 66
Ana Maria Escallon, ‘Arte de Hoy’, March 1986
‘Pop en Bogota’, Gujon, March 1986, pp. 57-58
‘Tom Wesselmann at Sidney Janis and Jeffery Hoffield’, Art in America, March 1986, p. 150
‘Tom Wesselmann en Galeria Quintana’, Fin de Semana, February 28th, 1986

John Russell, ‘Tom Wesselmann’, The New York Times, December 13th, 1985 
Douglas C. McGill, ‘Tom Wesselmann in a New Medium’, The New York Times, November 22nd, 1985
‘Tom Wesselmann: Art People’, ARTnews, November 1985

Ruth Meyer, ‘Women, Object & Image’, Dialogue, November – December 1982
David Bourdon, ‘Contemporary Still Life Painting’, American Illustrated, no. 312, November 1982, pp. 20.27.
William Wilson, ‘The Real Wesselmann Stands Up’, Los Angeles Times, November 13th, 1982, section V, pp. 1 & 8
Wilfried Wiegand, ‘Tom Wesselmann’, Frankfurter Allegemine Magazin, November 1982
Liz Liebman, ‘Review of Wesselmann Exhibition at Sidney Janis’, Artforum, September 1982
Trevor Fairbrother, ‘An Interview with Tom Wesselmann/Slim Stealingworth’, Arts Magazine, May 1982
’Nel Nude Di Donna lo Batto Tiziano e Manet’, Sommario, March 1982
Paul Gardner, ‘Tom Wesselmann’, ARTnews, January 1982

David Bourdon, ‘Made in the U.S.A.” Portfolio, vol II, no. 5, November – December 1980, pp. 42-49
Slim Stealingworth, ’Review of Tom Wesselmann’, National Arts Guide, November/December 1980
‘Tom Wesselmann’, Basler Magazine, no. 39, November 27th, 1980
John Russel, ‘Art Shopping Around in Wesselmann’s Mind’, The New York Times, November 21st, 1980
Grace Glueck, ‘Art People’, The New York Times, November 14th, 1980
Tony Whitfield, ‘Pop Went The Wesselmann’, The Village Voice, November 12th, 1980 1979 
Jean Suacet, ‘L’Art C’est aussi un Produit’, Paris Match, October 26th, 1979
‘Art Scene’, Canal, October 1979
‘F.I.A.C.’, L’Aurore, October 1979
Michael Florescu, ‘Tom Wesselmann at Janis’, Art in America, October 1979, p. 126
‘La Pagina Dell’Arte’, Bolafiarte, October 1979
Judith Helfer, ‘Virtuase Technik in Neuen Arbeiten’, Aufbau, May 18th, 1979
‘Tom Wesselmann’, Art/World, April 20 – May 15th 1979
Jerry Tallmer, ‘Women Bursting Out All Over’, The New York Post, May 12th 1979, p. 16
John Russell, ‘Art: Tom Wesselmann Sticks to the Same Last’, The New York Times, May 11th, 1979

Michal Goodson, ‘Wesselmann: All the Nudes Fit to Print’, Red Paper, June 4th, 1978
Harriet Sennie, ‘Moodscapes’, The New York Post, February 11th, 1978, p.17

N.F. Karlins, ‘The Smoker as Sex Object’, East Side Express, May 26th, 1976
David Bourdon, ‘Eroticism Comes in Many Colors’, The Village Voice, May 10th, 1976
Dorothy Seiberling, ‘Real Big: An Escalation of Still Lifes’, New York Magazine, April 26th, 1976
Pierre Restany, ‘L’Ecole de L’Erotisme’, Arts Loisirs, no. 74, February 28th, 1976, pp. 34-28 

‘Corcoran Makes History’, The Eagle, The American University, April 1st, 1975
David Bourdon, ‘American Painting Regains Its VItal Signs’, The Village Voice, vol. 20, no. 11, March 17th 1975, p.88 
John Russell, ‘Corcoran American Art Biennale Opens’, The New York Times, March 5th, 1975
Robert A. Galano, ‘Corcoran Biennial: A Crowd Pleaser’, The Washington Post, February 22nd, 1975
Benjamin Forgey, ‘Corcoran Show is Mostly Big’, The Washington Star, February 21st, 1975

William Wilson, ‘Wesselmann – Portrait of an Artist’s Blue Period’, The Los Angeles Times, December 2nd, 1974
Sandy Ballatore, ‘Tom Wesselmann: The Early Years’, Artweek vol. 5, no. 41, November 30th, 1974
Tom Hess, ‘Art Wesselmann’, New York Magazine, May 16th, 1974 
Vivien Raynor, ‘Wesselmann: The Mockery Has Disappeared’, The New York Times, May 12th, 1974
John Perreault, ‘Art: Reading a Monumental Still Life’, The Village Voice, May 2nd, 1974
Joanna Ress, ‘Rusticating with Tom Wesselmann’, Gallery Guide, May 1974
Hayden Herrera, ‘25th Anniversary Exhibition – Part II’, ARTnews, vol. 72. no. 5, April 1974

Tom Burgering, ‘De Kinderen Kunner er in Joutje Van’, Rotterdam Nieuwsblad, June 1973
Robert Hughes, ‘Art: The Last Salon’, Time Magazine, February 12th, 1973
Carter Ratcliff, ‘Reviews: Tom Wesselmann’, Artforum, January 1973, p. 82

Emily Grenauer, ‘Arts and Artists’, The New York Post, November 18th, 1972
Hilton Kramer, ‘Tom Wesselmann’, The New York Times, Novermber 11th 1972, p. 29
Carla de Benedetti, ‘The New Roman Way’, Vogue, April 15th, 1972, p. 120
David L. Shirey, ‘Former Avant-Grade Gallery Remembered in Hofstra Show’, The New York Times, February 27th, 1972
John Canaday, ‘Only Half Bad -And That’s Half Good.’, The New York Times, February 6th, 1972, p. 23
Carter Ratcliff, ‘New York Letter’, Art International, vol. 17, no. 2, February 1972
Louise Burton, ‘ROSC: Ireland’s Autumn Art Show’, The Orange Disc, vol. 20, no. 3, January-February 1972
Sonya Rodikoff, ‘New Realists in New York’, Art International, January 1972
Barbara Rose, ‘Dada Then and Now’, Art International, January 1972
Pierre Restany, ‘Le Nouveau Realisme à la Coquette de New York’, Art International, January 1972
‘Reviews: Tom Wesselmann’, Arts Magazine, December-January 1972

David L. Shirey, ‘Woman Part I’, Life Magazine, August 18th 1971, p. 45
Henri Coulanges, ‘Beaute Suave’, Connaisance des Arts, no. 229, March 1971, pp. 76-83
Bernard Denvir, ‘London Letter’, Art International, vol. 15/1, January 1971, p.21

‘Tom Wesselmann’, Mizue Magazine, no.786, September 1970, pp. 60-75.
G. Px., ‘L’Art Americain à Genève: Richesse Créatice et Éclatement de Tendances’, Feuille d’Avis de Lausanne, July 25th, 1970
Carter Ratcliff, ‘Tom Wesselmann’, Art International, Special Summer Issue, 1970, pp. 131-140
Lawrence Campbell, ‘Reviews and Previews: Tom Wesselmann’, ARTnews, vol 69,no 3, May 1970, p.75
John Gruen, ‘Galleries and Museums: Tom Wesselmann’, New York Magazine, vol. 3 no. 15, April 13th, 1970, p. 58 
Peter Schjeldahl, ‘Pop Goes the Playmates Sister’, The New York Times, April 19th, 1970
Noel Frackman, ‘In the Galleries: Tom Wesselmann at Janis’, Arts Magazine, April 1970
‘Arte Americano d’Oggi’, Gazzetta di Parma, January 30th, 1970
Giorgi Marscherpa, ‘Avangardusti.” Auvenire, January 27th, 1970

Leo Bruggeman, ‘Terugkier can ket beeld – in de Amerikaanse Kunst’, Die Nieve Gids, October 25th, 1969
Jean-Luc Daval, ‘La Nouvelle Figuration Americaine’, Tribune de Geneve, August 22nd, 1969
‘7 At Janis’, Arts Magazine, June 1969

‘The Great American Nude’, Time Magazine, June 14th, 1968, p. 60
James R. Mellow, ‘New York Letter’, Art International, April 1968, p.64
Hilton Kramer, ‘Form, Fantasy, and the Nude’, The New York Times, February 11th, 1968
‘Images: Tom Wesselmann at Janis’, Arts Magazine, February 1968
‘Tom Wesselmann: The Pleasure Painter’, Avant Garde, no.5, pp. 24-28

Jean-Louis Ferrier, ‘Paris: Wesselmann et le Nu Americain’, La Quinzaine, no. 15, November 1-15th, 1966
Marina Warner, ‘Tom Wesselmann: Art into Media – Media into Art’, Isis, no. 1552, November 2nd, 1966, pp. 17-18
Peter Schjeldahl, ‘Erotic And/Or Art’, The Village Voice, October 13th, 1966
John Canay, ‘This Way to the Big Erotic Art Show’, The New York Times, October 9th, 1966
Douglas M. Davis, ‘In a Surfacing of Erotic Art, Fun and Parody’, The National Observer, October 3rd, 1966
Michael Benedikt, ‘New York Letter’, Art International, June 1966
David Margolis, ‘Wesselmann’s Fancy Footwork’, Art Voices, Summer 1966, pp.46-49
Charlotte Willard, ‘In the Galleries’, The New York Post, May 21st, 1966, p.14
‘Tom Wesselmann’, The New York Times, May 14th, 1966
Gene R. Swenson, ‘The Honest Nude – Wesselmann’, Art and Artist, vol. 1, no. 2, May 1966, pp. 54-57
J.A. Abramson, ‘Tom Wesselmann and the Gates of Horn’, Arts Magazine, vol. 40. no. 7, May 1966, pp. 54-57
‘Tom Wesselmann: Artists Say’, Art Voices, Spring 1966, p. 34

Gordon Brown, ‘Art of the Underground House: A Rebuttal’, Art Voices, March 1965, pp. 92-95
J.B., ‘Wesselmann’, Arts Magazine, March 1965, pp. 36-37
S.C., ‘Wesselmann’, ARTnews, March 1965, p. 17.

Jill Johnston, ‘Tom Wesselmann at Green Gallery’, ARTnews, April 1964, p.13
Max Kozloff, ‘New York Letter’, Art International, vol. 8, no. 3, April 1964, pp.60-61
‘Tom Wesselmann at Green Gallery’, The Village Voice, February 29th, 1964
‘Tom Wesselmann’, Time, February 28th, 1964

‘Tom Wesselmann at Green’, ARTnews, November 1963
‘Editor’s Letter. Tom Wesselmann’, ARTnews, vol. 62, no.4, Summer 1963
Henry Geldzahler, ‘Symposium on Pop Art-Special Supplement’, Arts Magazine, April 1963
Jill Johnston, ‘The Artist on a Coca-Cola World’, The Village Voice, January 31st, 1963, pp 7-24
V.R., ‘Tom Wesselmann at Green’, Arts Magazine, January 1963

Brian O’Doherty, ‘Art: ‘Pop’ Show by Tom Wesselmann is Revisited’, The New York Times, November 28th, 1962, p. 36
Jill Johnston, ‘Tom Wesselmann at Green Gallery’, ARTnews, November 1962, p. 47
V.R., ‘Tom Wesselmann at Tanager’; Arts Magazine, February 1962, p.47