• After the Gold Rush : Contemporary Photographs from the Collection

    @ The Metropolitan Museum of Art, New York

    The Metropolitan Museum of Art will present After the Gold Rush: Contemporary Photographs from the Collection from March 22, 2011, through January 2, 2012, in the Joyce and Robert Menschel Hall for Modern Photography. Drawn entirely from the Museum’s permanent collection, the exhibition features 25 photographs dating from 1979 to the present by 15 contemporary artists.

    This is the first occasion for the Museum to present recently acquired works by:  Curtis Mann, Gretchen Bender, James Casebere, Moyra Davey, Katy Grannan, Hans Haacke, An-My Lê, Trevor Paglen, and Wolfgang Tillmans. Also featured are photographs by: Philip-Lorca diCorcia, Robert Gober, Adrian Piper, Laurie Simmons, Jeff Wall, and Christopher Williams.

  • 'Ten Thousand Waves' by Isaac Julien

    @ Museum Brandhorst, Germany

    From 30 March 2011 onwards the work "Ten Thousand Waves" by Isaac Julien will be presented for the first time in Germany in the Museum Brandhorst. Ten Thousand Waves is a 9-channel video installation which the artist worked on for almost four years and it was finished in 2010.

    Theresienstrasse 35a
    80333 Munich | Germany

    P: +49 (0)89 23805-2286

    The Udo and Anette Brandhorst Stiftung has contributed to the financing of a new work by Isaac Julien, which was completed in 2010 and will be presented in Germany for the first time starting 30 March 2011 in the Museum Brandhorst.

    Ten Thousand Waves is a 9-channel video installation which the artist worked on for almost four years.  The main scenes were filmed in China under participation of several internationally-celebrated actresses, including the legendary Maggie Cheung and Zhao Tao. The video artist Yang Fudong, as well as the poet Wang Ping and calligraphy grandmaster Gong Fagen also stood before the camera.

    The starting point for Julien was a Chinese legend concerning the goddess Mazu whose special powers include the safe escorting of those imperiled at sea to quieter shores. Clips of old photographs conjure up this story; however, Julien relocates the main character, played by Maggie Cheung, to modern-day China where scenes are repeatedly filled with tumultuous traffic jams in Shanghai. These are contrasted with wonderful riverscapes, bordered by bamboo forests and sandstone mountains, in which a few river boats have gone astray. A second storyline focuses on the death of 23 illegal Chinese immigrants in England who worked as cockle pickers.  Being unfamiliar with the tide times of the Atlantic Ocean, they perished in 2005 during the incoming spring tide. Mazu was unable to help with this situation. The only thing that “survived” the tragic accident was a major media response. A third level is manifested in sequences that relate to the first decades of the 20th century when Shanghai was granted special status, enabling the production of important films like, among others, The Goddess, which traces the fate of a young unemployed woman who turns to prostitution in order to support herself and her child. In Julien’s version, which evokes the atmosphere of the 1930s, this role is played by Zhao Tao.

    With Ten Thousand Waves Julien resolutely continues to make use of those elements that already characterize his earlier works (including Western Union / Small Boats in the collection of the Museum Brandhorst). His video installations all address aesthetic, social and psychological aspects of various living environments in which Western ideas of global culture are partly questioned and partly formulated in a new way.  It is, as it were, the interleaving of post-colonial strategies with post-structuralist rudiments that assigns Isaac Julien’s oeuvre the outstanding role it has achieved within the spectrum of contemporary art.

  • Ange LECCIA

    Maison Elsa Triolet, Aragon, France

    18.06.11 - 02.10.11

  • Teresita Fernández

    Blind Landscape - Modern Art Museum of Forth Worth

    17.04.11 - 19.06.11

  • Teresita Fernández

    Blind Landscape - Museum of Contemporary Art Cleveland, USA

    28.01.11 - 08.05.11

    This survey presents a spectrum of the artist's most recent and ambitious projects created between 2005 and 2010.  Featured among the exhibition's ten works is the artist's latest graphite and steel sculpture, Drawn Waters (Borrowdale) (2009); and Epic (2009), a monumental graphite wall installation. Resembling an immense, cascading branch, Vertigo (sotto en su) (2007) includes eight layers of precision-cut, highly polished metal woven into an intricate, reflective arboreal pattern that suspends from the ceiling high above the viewer.

  • Ange LECCIA

    'Nuit Bleue' - Sortie le 13 avril 2011

    Projections de presse:

    - Mardi 1er Mars, à 11h

    - Jeudi 17 mars, à 11h

    - Mercredi 6 avril, à 11h

    A l'Espace Saint-Michel, 7 place Saint Michel, 75005 Paris

    Réservation 01 55 79 03 43  ou

  • Sylvie FLEURY

    'Femme objet / Femme sujet' - Abbaye Saint-André, Centre d'Art Contemporain, Meymac, France


  • Ida Tursic & Wilfried Mille, 'It was the dirty end of winter', Musée des Beaux-Arts de Dôle, Franche-Comté, France

    18.01.11 - 30.04.11

    Ida Tursic et Wilfried Mille ont fait l’objet de plusieurs expositions monographiques. Ils ont pris part à des expositions collectives telles que La Force de L’Art à Paris en 2005 ou The Freak Show au Musée d’art contemporain de Lyon (2007, reprise l’année suivante au Musée de la Monnaie de Paris). Ils ont remporté le 11e Prix Fondation d’Entreprise Ricard en 2009.

    Pour leur exposition au musée des Beaux-Arts de Dole, ils présenteront une soixantaine d’œuvres récentes parcourant les thématiques de leur production (nus, scènes de genre, paysage). Elles rendront compte de leur relation particulière au monde de l’image, exprimée par des procédés plastiques variés. La scénographie de l’exposition tissera un fil d’ariane autour de ce questionnement sur le visible et sa représentation. Elle se basera sur le principe d’une déambulation orientée depuis la périphérie de l’espace pour se diriger vers son cœur, visant à mettre en œuvre « une expérience physique de l’exposition.

  • Almine Rech Gallery @ VIP ART FAIR

    January 22-30 2011

    The Fair will open on Saturday, January 22, 2011 at 8:00 a.m. EST and conclude on Sunday, January 30, 2011, at 7:59 a.m. EST. Browsing the Fair is free of charge.
    To access interactive capabilities, visitors must have a VIP Tickets.

    Visitors are encouraged to request an invitation in advance.
    More information:

  • Tom Burr

    'Gravity moves me' - FRAC Champagne Ardenne, Reims, France

    04.02.11 - 17.04.11

    Gravity Moves Me, première exposition institutionnelle de Tom Burr en France, réunit un ensemble d’œuvres inédites spécialement conçues par l’artiste américain pour les espaces du FRAC Champagne-Ardenne.

    Une anthologie des textes de Tom Burr, éditée par le FRAC Champagne-Ardenne, est actuellement en préparation et sera publiée dans le courant de l’année 2011.

    Commissaire de l’exposition : Florence Derieux