• Richard Prince 'Untitled (Cowboy)' LACMA, Los Angeles

    December 3, 2017 - March 25, 2018

    The exhibition presents the complete 2015–16 series Untitled (Cowboy), recently acquired for the collection and publicly exhibited for the first time. A comprehensive catalogue on the Cowboy paintings will be published for the occasion. Curated by Britt Salvesen, Department Head and Curator of Photography and Prints and Drawings, the exhibition is on view in LACMA’s Broad Contemporary Art Museum (BCAM) from December 3, 2017 to March 25, 2018. An adjacent gallery features selected works from the museum’s collection that also represent the iconography of the American West.

    Image: Richard Prince, Untitled (Cowboy), 2015, Dye coupler print, 180,7 x 256,5 x 5 cm - 71 1/8 x 101 x 2 in - © Richard Prince - LACMA Collection

  • Ryoji Ikeda x William Forsythe

    Grande Halle de La Villette / Festival d'Automne, Paris
    December 1 - 31, 2017

    In this exhibition, Ryoji Ikeda and William Forsythe present their artwork simultaneously. These two mesmerizing installations make for a mentally and physically engaging experience.

    To attend the opening, RSVP here

    La Villette - 211 avenue Jean Jaurès 75019 Paris

    Almine Rech Gallery Paris is opening a solo exhibition of Ryoji Ikeda on November 29th, from 6 to 8 pm.
    Image: Ryoji Ikeda, test pattern [100 m version], audiovisual installation, 2013 / © Wonge Bergmann - Ruhrtriennale 2013

  • Johan Creten / Book launch at Petit Palais, Paris

    October 19th, 2017
    6 - 7 pm

    A book signing with Johan Creten and Colin Lemoine will take place on October, 19th from 6 to 7 pm in the RMN Library at the Petit Palais.
    Almine Rech Gallery Editions
    29 x 32 cm / 11 3/8 x 12 5/8 inches
    152 pages
    English / French
    Edition of 1500

    Published in conjunction with the exhibition held in Brussels. 
    Essay by Colin Lemoine.
    Colin Lemoine is an art historian, art critic and exhibition curator. He is head of the sculpture department at the Musée Bourdelle.

  • Un Dimanche à la Galerie, Paris

    September 24th, 2017 - 12-6pm

    On the occasion of 'Un Dimanche à la Galerie', Almine Rech Gallery Paris will be opened on Sunday, September 24th from 12 to 6 pm.

    Chloe Wise 'Of false beaches and butter money'
    September 05 — October 07, 2017

  • Ryoji Ikeda 'supercodex' live set, The Met, New York

    Wednesday, September 6, 7 pm
    Thursday, September 7, 7 pm

    Following his 2014 sold-out run of "superposition" at The Met with a wildly innovative new stage show, "supercodex," a beeping, pulsating, cacophonous mix of techno sound and multimedia art, explores the difference between "data of sound" and "sound of data."

    The Grace Rainey Rogers Auditorium

    supercodex is presented in collaboration with the French Institute Alliance Francaise (FIAF) as part of the opening night of FIAF's Crossing the Line Festival 2017.

  • Imaginary Ancestors - Bernard de Grunne at Café Tribal, Paris

    Wednesday, September 13th
    10 am - 11 am

    During these morning sessions from 10 AM to 11 AM, specialists, museum curators and collectors will meet for a discussion forum centered this year on "Les ponts entre les arts". 
    The overarching subject will be the mixing of artistic forms. These discussions will center around the special exhibition in the space by gallerist Javier Peres titled The Lion and the Jewel. His approach counterpoints different time periods, styles, cultures, and techniques, together providing subject matter for the discussions that will be moderated by Elena Martínez-Jacquet, editor-in-chief of Tribal Art magazine.

    Wednesday, September 13th, 10 AM - 11 AM
    Bernard de Grunne discusses the exhibition Imaginary Ancestors held at the Almine Rech Gallery in New York in May 2017.

    Espace Tribal
    22 rue Visconti
    75006 Paris

  • Jennifer Guidi 'Visible Light', museo d’arte contemporanea Villa Croce, Genoa, Italy

    July 1 – 24 September 24, 2017

    Villa Croce presents Visible Light / Luce Visibile, the first solo museum exhibition by the American artist Jennifer Guidi.

    Visible Light / Luce Visibile is a new body of work investigating light, color and energy. The works in the show develop from Jennifer Guidi’s previous explorations of the painting surface and its texture through a personal practice of mark-making, reflecting on concepts of color and its lasting effects on the body and mind. Jennifer Guidi’s large canvases fill the rooms of the villa with saturated colors through abstract compositions that remind us of oriental mandalas and, creating new forms of interaction between each vibrant tone of color and the space it inhabits, these works evoke articulated sensory experiences.

  • Book signing - Alex Israel 'b.1982, Los Angeles’

    On Wednesday, June 7th
    from 6 to 7 pm

    at Colette
    213 rue Saint Honoré
    75001 Paris

  • Choices, Paris

    Saturday, May 20th, 2017 - 11 am to 7 pm
    Sunday, May 21st, 2017 - 12 pm to 7 pm

    On the occasion of Paris Gallery Weekend 2017, Almine Rech Gallery Paris will be opened during the weekend, with the exhibition by Korean artist Ha Chong-Hyun.

  • Joe Bradley, Château de Boisgeloup, Gisors, France

    April - May, 2017

    On the occasion of the first public opening of the Château de Boisgeloup, the Fundación Almine y Bernard Ruiz-Picasso para el Arte is pleased to announce an exhibition of new sculptures by American artist Joe Bradley in Pablo Picasso’s former studio. The premises will also be open to the public for several days during the span of the exhibition.

    The exhibitions will be opened to the public on the following dates: 

    Saturday, April 8, 2017 - from 11am to 6pm 
    Saturday, April 22, 2017 - from 11am to 6pm 
    Saturday, May 13, 2017 - from 11am to 6pm 
    Saturday, May 27, 2017 - from 11am to 6pm

    Château de Boisgeloup
    Place Pablo Picasso
    27140 Le Boisgeloup
    Gisors, France


    Since the beginning of his career, Joe Bradley has developed a dense pictorial aesthetics, which explores a wide range of techniques and styles, from modular canvases assembled in anthropomorphic shapes and abstract expressionist compositions, to his more cartoonish Schmagoo paintings. More recently, Bradley has also initiated a sculptural body of works, in which two divergent tendencies seem to coexist: his figurative bronzes based on previously found objects versus the minimalist forms of his monolithic sculptures. Like his “modular” paintings, the artist’s aluminum and Plexiglas sculptures open onto a constructivist alternative. 


    Joe Bradley (born 1975, Maine, USA) lives and works in New York. He studied at the Rhode Island School of Design in Providence, where he received a BFA in 1999. Since his participation in the 2008 Whitney Biennial, Joe Bradley has aroused increased attention. His previous solo exhibitions include BOZAR, Brussels, Belgium (2016-2017); Le Consortium, Dijon, France (2014); PS1 Contemporary Art Center, Long Island City, New York, USA (2006); and ConTEMPorary, New York, USA (2003). His work has also been exhibited in various group shows, such as New York Painting, Kunstmuseum Bonn, Germany (2015); The Museum of Modern Art, New York, USA (2014–2015); The Inevitable Figuration, Centro per l’arte contemporanea Luigi Pecci, Prato, Italy (2013); and New York Minute, MACRO Future, Rome, Italy (2009). In 2017, a monographic exhibition will be organized at the Albright-Knox Art Gallery, Buffalo, USA.