Alejandro Cardenas

CALYPSO


Paris, Turenne

Opening on March 19th, from 11 am to 8 pm.

Inquire about the exhibition:
inquiries@alminerech.com

The gallery is open from 11 am until 7 pm.

  • , Calypso of Ogygia, 2022
    Acrylic on canvas
    127 x 177.8 cm
    50 x 70 in
  • , Vision of Perpetual Captivity, 2022
    Acrylic on canvas
    182.9 x 152.4 cm
    72 x 60 in
  • , Antinous, 2022
    Acrylic on canvas
    61 x 50.8 cm
    24 x 20 in
  • , Odysseus, 2022
    Bronze, plinth in wood
    186.9 x 48 x 13 cm
    73 1/2 x 19 x 5 1/2 in
    Edition of 3 + 2 APs

Press release

Almine Rech Paris is pleased to present Alejandro Cardenas' third solo exhibition with the gallery, on view from March 19 to April 23, 2022.

‘CALYPSO’ is the title that Alejandro Cardenas gives to his third solo exhibition with Almine Rech, and second one in Paris, following ‘PARADOXA.’ This time, Cardenas responds with paintings and sculptures to Homer’s Odyssey, and more specifically to the years Odysseus spent with the nymph Calypso in Ogygia. Before turning to the reach of Cardenas’ interpretation of that part of the poem, it should be noted that he has divided the exhibition into three parts. The main space focuses on Odysseus’s years in Ogygia. One room attached to it deals with the suitors of Penelope, while another offers meditations on the questions that the exhibition raises. Cardenas’ latest body of works constitutes a rather unusual moment in contemporary painting and sculpture insofar as it presents the reflections of an artist who quite literally engaged with a classical textual source, in an age where the tendency bends towards oblique presentations of traces of ideas, as Jean-Luc Nancy has shown in Les Muses. One can find in the very verses of Homer’s Odyssey the matrix of the paintings and sculptures from ‘CALYPSO.’ The works are nonetheless not mere visual ekphrases confined to the Odyssey. Cardenas weaves together webs of meaning across time. He intertwines Homer’s poem with Ancient Greek sculptures, as well as references from different periods and regions, whose significations thereby find themselves deepened or altered.

— Théo de Luca, Author, Yale University


Selected press