Elevation 1049, Gstaad, Switzerland
February 3 - March 19, 2017
A minimalist, Ryoji Ikeda uses the fundamental elements of light and sound to create sonic and visual landscapes that build, like snow, from countless accumulations of singular units. ‘test pattern’ is a system that converts any type of data (text, sounds, photos and movies) into barcode patterns and binary patterns of 0s and 1s. Through its application, the project aims to examine the relationship between critical points of device performance and the threshold of human perception.
Conversation between Gregor Hildebrandt and Stephan Eicher
Almine Rech Gallery, Paris
Saturday, January 14th, 2017
6 to 8 pm
On the occasion of ‘Alle Schläge sind erlaubt’, Gregor Hildebrandt’s solo exhibition at Almine Rech Gallery in Paris, we are pleased to invite you on Saturday, January 14th, 2017 from 6 to 8 pm to a conversation about fine art and music with Gregor Hildebrandt and Stephan Eicher, artist and musician.
For further information, please contact Camille Blumberg: email@example.com
Almine Rech Gallery
64 Rue de Turenne
Johan Creten 'La Traversée', CRAC, Sète, France
The exhibition is extended until April 17th, 2017.
Joe Bradley BOZAR - Center for Fine Arts, Brussels
November 25, 2016 - March 5, 2017
BOZAR has invited Joe Bradley (°1975, Maine) to present new work in the Centre for Fine Arts in Brussels. The New York-based artist works across various styles and media – from rudimentary line drawings on found cardboard and saturated canvases which reference Color Field painting to modern monochromes and bronze sculptures. Over the past decade, Bradley has become one of the most closely watched and debated painters of his generation. His work was included in the 2008 Whitney Biennial, New York Painting at Kunstmuseum Bonn (2015) and MoMA’s The Forever Now: Contemporary Painting in an Atemporal World (2014–15). He also has had solo exhibitions at MoMA PS1 and Le Consortium in Dijon to name but a few and has upcoming solo exhibitions at the Albright-Knox Art Gallery in Buffalo (USA) and Château de Boisgeloup (France) in 2017.
Peter Halley, Tarik Kiswanson, John McCracken, Blair Thurman in 'Flatland / Abstractions narratives #1' at MRAC, Sérignan, France
November 6, 2016 - February 19, 2017
Curated by Sarah Ihler-Meyer and Marianne Derrien
Image: Installation view of the exhibition Flatland, with the works by Tarik Kiswanson (left)
Un Dimanche à la Galerie, Almine Rech Gallery, Paris
November 27th, 2016 / 12 am — 7pm
Pour sa deuxième édition, « Un Dimanche à la Galerie » vous invite à découvrir la diversité des expositions dans 100 galeries d’art à Paris, exceptionnellement ouvertes le dimanche 27 novembre de 12h à 19h, pour vous accueillir.
Cette journée conviviale de découverte et d’échange est rythmée par des vernissages, des brunchs, des rencontres avec les artistes, des performances, des signatures d’ouvrages, des visites commentées…
Si cet événement est exceptionnel, les expositions en galeries sont en accès libre tout au long de l’année et vous êtes donc invités à poursuivre vos visites.
Pour plus d'informations: http://undimanchealagalerie.com
TOM WESSELMANN 'A Different Kind of Woman'
October 17 - December 21, 2016
16h30 à 18h30 : Performance « Bedroom Tit Box »
John Giorno ‘Flaming Creatures’ screening, Carnegie Museum of Art, Pittsburgh
November 19, 2016 / 7—9 pm
In conjunction with The Andy Warhol Museum exhibition Andy Warhol: My Perfect Body, poet John Giorno speaks with Jessica Beck, The Warhol’s associate curator of art, and Eric Crosby, Carnegie Museum of Art’s Richard Armstrong curator of modern and contemporary art, about his relationship to Andy Warhol and New York’s 1960s underground film culture. Jack Smith’s Flaming Creatures (1963, 45 minutes) is screened before the discussion.
For further information here.
Julian Schnabel Plate Paintings 1978–86, Aspen Art Museum, Aspen
November 4, 2016 - February 19, 2017
Julian Schnabel’s Aspen Art Museum exhibition is the first museum presentation to focus on the renowned American artist’s now culturally iconic plate paintings. Largely unexhibited since the early 1980s, Schnabel’s pieces reveal the artist’s interest in material experimentation, the physicality of surface, and the relationship between the figure and abstraction. His AAM show includes a concise survey of these works—from the artist’s first plate painting, The Patients and the Doctors (1978), through to The Walk Home (1985).
The Hirshhorn Museum and Sculpture Garden’s 2016 Honorees, Washington DC
“We are delighted to have the opportunity to recognize a new generation of artists who are responding to the world around them in unique and unexpected ways,” said Melissa Chiu, the Hirshhorn’s director. “These artists share an approach to art making that is not only pushing the boundaries of tradition, but also is transforming our own understanding of the world. It is this original artistic expression that is fundamental to the Hirshhorn, and we could not be more proud to celebrate this next generation for all of their accomplishments.”
The Hirshhorn welcomed approximately 300 guests on November 3rd to One World Trade Center, which at 1,776 feet is the tallest building in the Western Hemisphere. The Manhattan skyline at sunset was the stunning backdrop for an elegant cocktail reception, followed by a seated dinner and a decadent dessert presentation.
Bertrand Lavier at On Site
October 20 - 23, 2016
Petit Palais, Paris
Almine Rech Gallery is pleased to announce its participation in the new On Site sector of FIAC, at the Petit Palais. The gallery will present ‘Gaveau’ (2008) by Bertrand Lavier, a painted piano that belongs to his painted objects series.
For this latest body of work, which emerged alongside the artist's general return to figurative painting, the Lavier coated objects in thick acrylic paint matching their original color. Playing on a transferal of meaning, Lavier evokes here the potential resonance between painting and objects.