Select Press 2021
Dan Byrne Smith, “In Conversation with Gordon Cheung” Vector Magazine Issue No. 293 by the British Science Fiction Association, March 2021
Book Cover for Cynthia Miller’s Honorifics
“Life-enhancing events to enjoy from home this month”, Tatler, February 2021
“How to Celebrate Chinese New Year at Home”, Country and Townhouse, February 2021
Joe Mackertich, “A virtual mural has popped up for Chinese New Year”, TimeOut, February 11 2021
Soey Kim, “Eudon Choi, Christine Chiu And More Share Their Lunar New Year Traditions”, Vogue, February 18 2021
Emily Canegan, “Gimmick Watch: Augmented Reality Ice Cream Has Arrived”, TimeOut, March 25 2021
Micaela Giovannotti, “Artist Spotlight: Gordon Cheung”, SmartStamp, January 14 2021
2020
Maryam Eisler,”Confined Artists Free Spirits”. Lux Magazine, June 18, 2020
“2219: Futures Imagined”, Salone del Mobile Milano Magazine, January 30, 2020
Alison Flood, “All alone online: Iggy Pop and Jeremy Irons lead mass Ancient Mariner reading”, The Guardian, April 17, 2020
Sunny Cheung, “The Curator of Liverpool’s Art in Motion on Brightening up January”, The Big Issue North, January 2020
Fiona Grady, “Behind the Artist Support Pledge”, Dateagle Art, May 6, 2020
Paul Faulkner, “Chorley GP "flattered" after renowned artist paints him in PPE pose for NHS charity”, Lancashire Post, April 24, 2020
Mark Rappolt, “Gordon Cheung: Myth, Belt, Road and the Sublime”, Art Review Asia, April 1, 2020
Rosemary Waugh, Gordon Cheung: Tears of Paradise review, TimeOut, January 2020
Daniel Culpan, “ Art Forum Critic’s Pick Gordon Cheung”, March 7, 2020
Jackie Wullschl ger, ”Critic’s Choice”, Life & Arts, Financial Times, January 11, 2020
Margot Mottaz, "Gordon Cheung", ARTOMITY 源, May 1, 2020
Christine Takengny, “Gordon Cheung: Tears of Paradise at Edel Assanti, London”, Contemporary Art Society, January 31, 2020
Lorraine Bacchus, “Review Cross Pollination at the Atkinson”, ArtinLiverpool.com, March 2020
2019
“ArtScience 2219: Futures Imagined Explores 200 Years of Possible Futures”, Ardor Asia, December 2019
“Of Shrines and the Subterranean”, Sands Style, Winter 2019
Sara Lau, “Review of 2219: Futures Imagined at ArtScience Museum”, Art and Market, December 22, 2019
“The Evolution of Communication”, Shenzhen Daily, April 4, 2019
2018
“Saturday Review: History in the Making at Alan Cristea Gallery”, Radio 4, January 13, 2018
Storyfire, “Col Arts: Loved by”, 2018
Kim Booker,”Conversation with Gordon Cheung”, Assemblage Magazine, March 2018
“Iconic Artworks reinterpreted with Digital Algorithms, Monochrome C-Prints and More”, ZOLiMA City Mag, May 22, 2018
Christopher Dewolf, “In his first Hong Kong show, british artist Gordon Cheung explores the meaning of home”, ZOLiMA Citymag, December 5, 2018
Alexandra Purcell, “Galerie Huit Collector’s Dinner 2018”, Tatler Hong Kong, November 14, 2018
“Gordon Cheung holds his first solo show in Hong Kong”, Sedition, November 9, 2018
Keanu Arcadio, “Gordon Cheung”, Floor magazine, February 15, 2018
Remo Notarianni, “Gordon Cheung”, Artomity Magazine, December 15, 2018
Gretel Sarmiento, "The Art of Dying, Ann Norton show explores the work of Gordon Cheung", January 18, 2018
2017
Rebbecca Cox, “Artist Q&A: Gordon Cheung”, Country & Town House, January, 2017
Sedition, “Gordon Cheung Solo Exhibition at Edel Assanti”, Sedition, March 9, 2017
Dirk Vanduffel, “10 Questions; Gordon Cheung”, Art Dependence Magazine, March 14, 2017
Pierrick Senelaer, “Gordon Cheung’s at Edel Assanti Gallery”, Art Pie, March 28, 2017
William Davie, “Pictorial Deconstruction”, Aesthetica Magazine, April 11, 2017
"Searching for Magic", Wall Street International, May 10, 2017
Gemma Padley, “Interview Studio Visit: Gordon Cheung”, Elephant Magazine, June 22, 2017
“Gordon Cheung for Turkish Tulips at The Bowes Museum”, The Bowes Museum, September 12, 2017
2016
“Gordon Cheung International Exhibitions in Spring 2016”, Sedition, April 8, 2016
En Liang Khong, “Here We Are: What Does ‘Chinese’ mean as an artistic category in Britain today?”, Frieze Magazine, April 23, 201
En Liang Khong, “Here be Dragons”, The Economist 1843, June 20, 2016
Linda Pittwood, “‘Asking really pertinent questions about modern life’: Gordon Cheung And Tsang Kin-Wah @ CFCCAReviewed”, The Double Negative Magazine, April 20, 2016
“Axisweb Films - Gordon Cheung”, Axiseweb, April 12, 2016
“New Nottingham Castle Exhibition - Gordon Cheung: Here Be Dragons”, My Nottingham News, April 22, 2016
C.A. Xuan Mai Ardia, "30 Years of Centre For Chinese Contemporary Art", Art Radar, May 21, 2016
“Gordon Cheung: Lines in the Sand”, My Art Guides, Sept 18, 2016
Jyoti Kalsi, “Mapping the Modern Capitalist Empires”, Gulf News, October 26, 2016
Ros Holmes, “‘The Uses of the Future: Contemporary in the Digital Domain”, Cornerhouse, Nov 11, 2016
2015
“Gordon Cheung: Breaking Tulips”, Wall Street International, July 6, 2015
Alain R. Truong, “Exhibition Provides an Historical Reflection of Contemporary Culture Through the Dutch Golden Age”, CanalBlog, September 16, 2015
Emma Rae Warbuton, “Gordon Cheung, Breaking Tulips”, This is Tomorrow Magazine, Sept 21, 2015
Anna Furman, "Gordon Cheung on Using Tulips to Critique Capitalism", Artsy, Sept 29, 2015
Tirion Jenkins, "The Geopolitical Landscape of Gordon Cheung's Latest Exhibition", Bloomsbury Geographer, November 18,
2014
William Davie, “Review of Gordon Cheung, Breaking Tulips, Alan Cristea Gallery, London”, Aesthetica, October 23, 2015, 2014
Ben Austin, “Art14 Stakes Out Its Territory Somewhere Between Frieze and London Art Fair”, Artlyst, March 2, 2014
Jane Bischof, “Art’s Meeting Point”, The Wall Street Journal, April 30, 2014
“Look at Me: Past and Present Collide in Portraiture from Manet to Murakami, on View at Leila Heller Gallery”, Artsy, May 23, 2014
Zoe Pilger, “The Royal Academy Summer Exhibition: The Anarchy and Ecstasy Returns”, The Independent, June 2, 2014
Eimear McBride and Nathan Filer, “Free Thinking”, BBC Radio, June 12, 2014
Andrew Lambirth, "The Royal Academy Summer Exhibition offers up the good, the bad and the ugly - and a sore neck", The Spectator, June 14, 2014
2013
Paul Crosthwaite, Peter Knight, Nicky Marsh, “Show Me the Money: The Culture of Neoliberalism”, New Formations, Vol. 80, p. 209-217, 2013.
Lisa Takahashi, “Gordon Cheung’s Review of The Year”, Jackson’s, December 11, 2013
2012
Lisa Moravec, “The Financial Times and a Vitrine Led the English-Chinese Artist Gordon Cheung to Frieze London”, Writing on Visual Art, Performance and Exhibitions, October 21, 2012
2010
Terence Teh, “Chinese New Year Dazed Style”, DAZED magazine, January 26, 2010
2008
Shona Fairweather, “From the Modern Economy to Ancient Mythology”, Aesthetica, March 2008
“Gordon Cheung curated by Kohei Nawa”, Dazed and Confused, February 2008
Robert Hudon, TV Interview, City Life, January 25, 2008
Helen Waters, “Paradise Lost and the Unknown Rebel”, essay in response to solo show 'Fall of the Rebel Angels’ at Alan Cristea Gallery, January, 2008
2007
Raffaella Guidobono, “GOD IS OUR SIDE”, essay in response to solo exhibition at Galleria 1/9 unosunove arte contemporanea, November, 2007
Martin Holman, “Chimera Angles”, Essay in response to solo show '1000 Yard Stare’ at Aspex Gallery, August, 2007
Laura Gasgoigne, “Cyberman Who Fell to Earth”, Times T2, January 9, 2007
2005
Iphgenia Baal, “Gordon Cheung”, Dazed and Confused, vol.2 issue 32, p.34, image featured, November, 2005
Tim Marlow (presenter), “British Art Show 6”, Channel 5, October 11, 2005
“British Art Show 6”, Newsnight Review with BBC2, October 7, 2005
Charlie Danby, ‘‘Gordon Cheung”, I-d Magazine, p.98, image featured, September 2005
Arifa Akbar, “As Hirst hits 40, meet new faces of UK Art Scene”, The Independent News, p.3, image featured, June 6, 2005
Roy Exley, “Gordon Cheung”, Flash Art Magazine, no.240, p.72, image featured, January 2005
2004
Mark Turner, “The Darker Side of the Game”, The Financial Times, October 22, 2004
Jackie Wullschlager, “Financial Art’’, The Financial Times Weekend magazine, image featured, October 15, 2004
Tim Birch, “Breathing Space”, City life, image featured, May 1, 2004
“Gordon Cheung”, Metro Manchester, image featured, May, 2004
Fisun Guner, “Pizza Express Prospects Prize”, Metro London, May, 2004
“Collage”, Contemporary Magazine, May, 2004
David Barrett, “Apocalyptical”, Art Monthly, image featured, May, 2004
Eliza Williams, “Collage”, Art Monthly, May, 2004
‘Collage”, Kultureflash, May, 2004
2003
“Intervention”, Guardian The Guide, image featured, October, 2003
“Yes I am a Long Way from Home”, Contemporary, April, 2003
Sarah Harrison, “Yes I am a Long Way from Home”, Art Monthly, image featured, April 1, 2003
Sarah Kent, “Yes I am a Long Way from Home”, Time Out, April, 2003
“Yes I am a Long Way from Home”, Art Review, April, 2003
2002
“Gordon Cheung”, Radio interview, The Glass Shrimp, Resonance FM, July, 2002
“Gordon Cheung”, What’s On, July, 2002
“Gordon Cheung”, Time Out Website, July 1, 2002
“Unscene”, Review of show at Gasworks gallery, published with Modern Painters, June 5, 2002
Jessica Lack, Review of show at Gaswork gallery, The Guardian - The Guide, April 30, 2002
Jane Tynan, “Unscene”, Review of show at Gaswork gallery, Time Out, no.1653, April 24, 2002
Martin Herbert, “Wellworth”, Review of show at Keith Talent gallery, Time Out, no.1647, March 13, 2002
2001
“Class of 2001 -Top 20 MA Graduates”, Art Review supplement, 2001
“Surviving in the Arts”, BBC Radio, June 2001
Will Bennett, “Lessons in the art of survival”, The Daily Telegraph, 4 June, 2001
2000
Helen Sumpter, Review of Assembly “The Best Art Shows of 2000”, The Big Issue, no. 418, December 27, 2000
Neal Brown, “Fakescape”, Frieze, no.55, November, 2000
“Fakescape”, Flash Art, November, 2000
“Assembly”, Time Out, no.1574, October 18, 2000
“Go See..Assembly”, The Observer Magazine, October 1, 2000
Jonathon Jones, “Fakescape”, The Guardian, August 4, 2000
Izi Gloverm, “‘Fakescape”, Time Out, London, August 28, 2000