Kenneth Noland

Bibliography


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Selected Publications

2018

‘The Joy of Color’, New York: Mnuchin Gallery

2017

William C. Agee, ‘Kenneth Noland: Into the Cool’,New York: Pace Gallery

Pernilla Holmes, Amelie von Wedel, Adrienne Edwards et al., ‘IMPULSE’, London:
Pace London

Michael Danoff, Martin Z. Margulies, Katherine Hinds ‘Martin Z. Margulies
Collection, Vol.1’, Bologna BO, Italy: Damiani

2016

William C. Agee ‘Modern Art in America’. London and New York: Phaidon Press
Limited

Carolina Pasti, ‘A Life with Artists: Hannelore and Rudolph Schulhof’, New York:
Skira Rizzoli Publication

Rachel Schaefer, Susan Wallach and Katie Woods, ‘The Serial Attitude’, New York:
Eykyn Maclean

‘De la peinture (1960-1980)’, Paris: Guttklein fine art - Galerie l’or du temps

2015

Heyler, Joanne, Ed Schad and Chelsea Beck (ed.), ‘The Broad Collection’. Munich,
London, New York: Prestel Verlag

‘Hoyland Caro Noland’, London: Pace London

2014

Gwen Allen, David Cateforis and Evelyn C. Hankins, etc., ‘A Family Affair: Modern
and Contemporary American Art from the Anderson Collection at Stanford
University’, Stanford, California; New York: The Anderson Collection at Stanford
University

William C. Agee, ‘Kenneth Noland: Paintings 1975–2003’, New York: Pace Gallery

‘Make it New: Abstract Painting from the National Gallery of Art, 1950–1975’,
Williamstown: The Clark Art Institute

‘Museum Folkwang: Painting & Sculpture 19th–21st Century’, Essen and Munich:
Museum Folkwang; Sieveking Verla

Amy Newman, ‘Challenging Art: Artforum 1962–1974’, New York: Soho Press

‘Re-View: Onnasch Collection’ London: Snoeck; Hauser & Wirth

‘The Shaped Canvas, Revisited’, New York: Luxembourg & Dayan

2012

‘Kenneth Noland: Mysteries, Full Circle’, Santa Fe: Yares Art Projects

Noland, Kenneth. “Color, Format, and Abstract Art: Interview by Diane Waldman
(1977)” in Kristine Stiles and Peter Selz. ‘Theories and Documents of Contemporary
Art: A Sourcebook of Artists’ Writings’, Second edition. Berkeley, California:
University of California Press

2011

Paul Hayes Tucker, ‘Kenneth Noland: Paintings 1958–1968’, New York:
Mitchell-Innes & Nash

2010

Reinhard Onnasch (ed.), ‘Nineteen Artists’, Berlin: El Sourdog Hex

2008

Peter Plagens and Klaus Kertess ‘The Margulies Collection’, Miami: The Martin Z.
Margulies Foundation

2007

Renate Wiehager, Hatje Cantz Verlag, ‘Minimalism and After’, DaimlerChrysler AG

2006

Robert Godfrey, ‘Kenneth Noland: Music without Words’, Greenville, North Carolina:
Greenville Museum of Art

Christoph Grunenberg, ‘Kenneth Noland: The Stripe Paintings’, Liverpool: Tate
Liverpool

Paul Theroux, ‘Kenneth Noland: 360º on the Wall’,  New York: Ameringer Yohe Fine
Art

2005

Andreas Hapkemeyer (ed.), ‘The Perception of the Horizontal’, Cologne: Walter
König

Franco Fanelli, ‘Kenneth Noland’, Milan: Silvana Editorale Spa

Jeff Amos, Andreas Pinczewski et al., ‘Minimalism and After IV’, Stuttgart:
DaimlerChrysler AG

Alison de Lima Greene, Karen Wilkin, ‘Kenneth Noland: The Nature of Color’,
Houston: Museum of Fine Art

2004

Kathryn L. Campbell, ‘Acrylics and Color Field Painting: Leonard Bocour, Morris
Louis and Kenneth Noland’, Masters diss., Virginia Commonwealth University

John Elderfield, ‘Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern
Art, New York’, New York: The Museum of Modern Art

2003

Matthew Collings, ‘Kenneth Noland: Contrapuntal’, New York: Ameringer Yohe
Fine Art

2002

‘Kenneth Noland: Colors’, New York: Ameringer Howard Yohe Fine Arts Gallery

Jamaica Kincaid, Terry Fenton, ‘Kenneth Noland: Themes and Variations 1958–2000’,
Rockland, Maine: Farnsworth Art Museum

2001

Matthew Collings, ‘Kenneth Noland: New Paintings’, London: Bernard Jacobson
Gallery

Karin Sagner-Düchting, ‘Monet and Modernism’, London, Prestel

Ellen Simak, “Kenneth Noland (1924–): Go.” In ‘A Catalogue of the American
Collection’, Volume 2. Chattanooga, Tennessee: Hunter Museum of American Art

2000

‘Kenneth Noland’, Madrid: Metta Galería

‘Postpictórico-pop: Noland–Warhol’, Málaga, Spain: Diputación de Málaga, Area
de Cultura

1998

Richard W. Gassen, ‘Kunst im Aufbruch: Abstraktion zwischen 1945 und 1959’,
Ostfildern-Ruit: Verlag Gerd Hatje

Karen Wilkin, ‘Kenneth Noland: Circles, New York: André Emmerich Gallery

1995

Timothy W. Crusius, and Carolyn E. Channell, ‘The Aims of Argument: A Brief
Rhetoric’, Mountain View, California: Mayfield Publishing Company

1994

Karen Wilkin, ‘Kenneth Noland’, Brest: Le Cercle d’Art

1993

‘Kenneth Noland: Paperworks‘, Todi, Italy: Extra Moenia arte moderna

William C. Agee, ‘Kenneth Noland: The Circle Paintings 1956–1963’, Houston:
Museum of Fine Arts

Shaw Smith, ‘Noland’s Nolands: A Retrospective Selection from the Artist’s
Collection 1959–1991’, Davidson, North Carolina: William H. Van Every, Jr. Gallery,
Davidson College

1991

‘Kenneth Noland: Neue Gemälde 1991’, Berlin: Salander-O’Reilly Galleries

‘Kenneth Noland: Pinturas 1958–1990’, Madrid: Galerias Afinsa and Almirante

‘Kenneth Noland: A Selection of Recent Paintings‘, New York: Salander-O’Reilly
Galleries

1990

Karen Wilkin, ‘Kenneth Noland: A Selection of Recent Paintings’, Beverly Hills:
Salander-O’Reilly Galleries

Gerald Nordland, Sue Scott, ‘Washington Color Painters: The First Generation’,
Orlando: Orlando Museum of Art, 1990.

Karen Wilkin, ‘Kenneth Noland’, New York: Rizzoli

1989

‘Kenneth Noland: Calles de Barcelona’, New York: Galería Joan Prats

Terry Fenton, Ken Carpenter, et al.,‘Kenneth Noland: An Important Exhibition of
Paintings from 1958 to 1989’, New York: Salander-O’Reilly Galleries, Inc.

1988

‘Kenneth Noland: Rains, Painted Monotypes’, Los Angeles: Mixografia Gallery

Angelica Zander Rudenstine, ‘Modern Painting, Drawing & Sculpture Collected
by Emily and Joseph Pulitzer Jr.’, Cambridge: Harvard University Art Museums

1987

Susan Fischer Sterling, ‘Kenneth Noland’s Artistic Evolution, 1945–1965.’ Ph. D.
diss., Princeton University

1986

‘Kenneth Noland’, White Plains, New York: Robert Martin Gallery

Richard H. Love, ‘Kenneth Noland: Major Works’, Chicago: Haase-Mumm Publishing
Co.

‘Kenneth Noland: New Paintings’, New York: André Emmerich Gallery

‘Kenneth Noland: Rains, Painted Monotypes’, Toronto: Gallery One

1985

Magdalena Dabrowski, ‘Contrasts of Form: Geometric Abstract Art, 1910–1980‘,
New York: The Museum of Modern Art

Diane Upright, ‘Grand Compositions: Selections from the Collection of David
Mirvish’, Fort Worth, Texas: Fort Worth Art Museum

‘Kenneth Noland’, Barcelona: Galería Joan Prats

‘Kenneth Noland: Doors and Ghosts, Painted Monotypes’, New York: André
Emmerich Gallery

‘Kenneth Noland: Paintings of the 1960s—Chevrons and Stripes’, New York: André
Emmerich Gallery

Hilton Kramer, ‘The Revenge of the Philistines: Art and Culture, 1972–1984’, New
York: Free Press

Sam Hunter, ‘Masters of the Fifties: American Abstract Painting from Pollock to
Stella’, New York: Marisa del Re Gallery

‘Pre-Postmodern: Good in the Art of Our Time’, Canton, New York: Richard F. Brush
Gallery, St. Lawrence University

1984

Constance Lewallen, ‘Kenneth Noland: Matrix 74’, Berkeley, California: University
Art Museum, University of California

‘Kenneth Noland: Monotypes, Barcelona, 1984‘, New York: Galería Joan Prats

‘Kenneth Noland: Neue Bilde 1984’, Berlin: Reinhard Onnasch Galerie

‘Kenneth Noland: New Paintings’, New York: André Emmerich Gallery

Ann Hindry, ‘Kenneth Noland in Paris’, Paris: Cercle d’Art

Elizabeth Armstrong, ‘Prints from Tyler Graphics’, Minneapolis: Walker Art Center

1983

‘Jim Bird, Kenneth Noland, Arthur Secunda’, Barcelona: Galería Joan Prats

‘Kenneth Noland: New Paintings’, New York: André Emmerich Gallery

‘Kenneth Noland: Recent Paperworks‘, Durham, North Carolina: Duke University
Museum of Art

Henry Geldzahler, ‘Kenneth Noland: Winds, Painted Monotypes’, Text by Henry
Geldzahler. New York: André Emmerich Gallery

‘Kenneth Noland: Winds / Vientos’, Mexico City: Taller de Gráfica Mexicana

‘Modern Art in the West: Guggenheim’, Tokyo: Tokyo Metropolitan Art Museum

1982

Dore Ashton, ‘American Art since 1945’, New York: Oxford University Press

Ellen H. Johnson, ‘American Artists on Art from 1940 to 1980’, New York: Harper
& Row Publishers

Kenneth Noland: Monotypes’, New York: André Emmerich Gallery

‘Kenneth Noland: Neue Bilder’, Zurich: Gimpel & Hanover

Donald Kuspit, ‘Out of the South: An Exhibition of Work by Artists Born in the
South‘, Atlanta: Heath Gallery

Carl Belz, Kenworth Moffett, et al., ‘A Private Vision: Contemporary Art from the
Graham Gund Collection’, Boston: Museum of Fine Arts

1981

‘Center Ring: The Artist—Two Centuries of Circus Art’, Milwaukee: Milwaukee Art
Museum

‘Depuis la couleur, 1958–1964: Helen Frankenthaler, Morris Louis, Kenneth Noland,
Jules Olitski’, Bordeaux: Centre d’arts plastiques contemporains de Bordeaux

‘Kenneth Noland: New Paintings’, New York: André Emmerich Gallery

William S. Lieberman (ed.), ‘An American Choice: The Muriel Kallis Steinberg
Newman Collection’, New York: Metropolitan Museum of Art

John Bernard Myers, ’Tracking the Marvelous: A Life on the New York Art World’,
New York: Random House

Ogden N. Rood, ‘Modern Chromatics’, New York: D. Appleton and Co.

John Russell, ‘The Meanings of Modern Art’, New York: The Museum of Modern
Art and Harper & Row

Peter Selz, ‘Art in our Times: A Pictorial History 1890–1980’, New York: Harry N.
Abrams

1980

Vivian Endicott Barnett, ’Handbook: The Guggenheim Museum Collection 1900–
1980’, New York: Solomon R. Guggenheim Foundation

‘Kenneth Noland: New Paintings’ New York: André Emmerich Gallery

‘With Paper, About Paper’ Buffalo, New York: Albright-Knox Art Gallery

1979

Paul Cummings, ’Artists in Their Own Words’, New York: St. Martin’s Press

‘Kenneth Noland: Recent Paintings‘, London: Waddington Galleries

1978

‘Kenneth Noland: New Paintings’, New York: André Emmerich Gallery

Judith Goldman, ‘Kenneth Noland: Handmade Papers’, Bedford Village, New York:
Tyler Graphics

Irving Sandler, ‘The New York School: The Painters and Sculptors of the Fifties’,
New York: Harper & Row

1977

Deborah Almeida, ‘Kenneth Noland; A Formalist Approach to a Retrospective’,
Masters diss., Hunter Colleger Department of Art

Diane Waldman‘Kenneth Noland : A Retrospective’, New York: The Solomon R.
Guggenheim Foundation

Kenworth Moffett, ‘Kenneth Noland’, New York: Harry N. Abrams

Colin Naylor, Genesis P. Orridge (eds.), Contemporary Artists. New York: St. Martin’s
Press

‘Paper Forms: Hand-made Paper Projects’, Interviews by Kathy Halbreich,
Cambridge: Hayden Gallery, Massachusetts Institute of Technology

1976

Dieter Honisch, Jens Christian Jensen (eds.), ‘Amerikanische Kunst von 1945 bis
heute: Kunst der USA in europäischen Sammlungen’, Koln: DuMont Buchverlag
Köln

Germano Beringheli, ‘Kenneth Noland’, Milan: Galleria Morone 6

‘Kenneth Noland: Neue Bilder 1976’, Hamburg: Galerie Wentzel

‘Surface, Edge and Color: Paintings by Al Held, Ellsworth Kelly, Agnes Martin,
Kenneth Noland, Larry Poons, Frank Stella’, New York: Whitney Museum of
American Art

1975

Karen Wilkin, ‘Kenneth Noland’, Alberta: Edmonton Art Gallery

Jeanne Siegel‘Kenneth Noland: Early Circle Paintings’, New York: Visual Arts
Gallery, School of Visual Arts

‘Kenneth Noland: New Paintings’ New York: André Emmerich Gallery

1974

E.A. Carmean, ‘The Great Decade of American Abstraction, Modernist Art 1960–
1970’, Houston: Museum of Fine Arts

‘Kenneth Noland’, London: Rutland Gallery

Werner Schmaelenbach, ‘Picasso to Lichtenstein’, London: Tate Gallery

1973

Helen M. Franc, ‘An Invitation to See: 125 Paintings from The Museum of Modern
Art’, New York: The Museum of Modern Art

Sam Hunter, ‘American Art of the Twentieth Century’, New York: Harry N. Abrams

‘Kenneth Noland: New Paintings’, London: Waddington Galleries

‘Kenneth Noland: New Paintings’, New York: André Emmerich Gallery

1972

Martin Duberman, ‘Black Mountain: An Exploration in Community’, New York: E.P.
Dutton & Co.

Michael Fried, ‘Morris Louis’, New York: Harry N. Abrams

‘Kenneth Noland: Paintings 1969–1970‘, Berlin: Galerie Mirko

Harold Rosenberg, ‘The De-Definition of Art. New York: Horizon Press

Leo Steinberg, ‘Other Criteria: Confrontations with Twentieth Century Art’, New
York: Oxford University Press

Friedrich W. Heckmanns, ‘W. Darby Bannard, Robert Goodnough, Kenneth Noland,
Jules Olitski, Larry Poons, Frank Stella’, Krefeld, Germany: Galerie und Edition
Merian

1971

‘Art of the Sixties’, Cologne: Richartz Museum

Matthew Baigell, ‘A History of American Painting’, New York: Praeger

Kerber Bernhard, ‘Amerikanische Kunst Seit 1945’, Stuttgart: Reclam

Nicolas Calas, Elena Calas, ‘Icons and Images of the Sixties’, New York: E.P. Dutton
& Co.

Michael Fried, ‘Morris Louis’ New York: Harry N. Abrams

‘Kenneth Noland: New Paintings’, New York: André Emmerich Gallery

‘Pittsburgh International’, Pittsburgh: Carnegie Institute

Marcia Tucker, ‘The Structure of Color’, New York: Whitney Museum of American
Art

1970

J.W. Burnham, “The Aesthetics of Intelligent Systems” In ‘On the Future of Art’,
New York: Viking Press

‘Color: Ron Davis, Ellsworth Kelly, Morris Louis, Kenneth Noland, Jules Olitski,
Frank Stella’, Los Angeles: UCLA Art Galleries, University of California

Priscilla Colt, ‘Color and Field, 1890–1970’, Buffalo, New York: Albright-Knox Art
Gallery

‘Ellsworth Kelly, Morris Louis, Kenneth Noland, Frank Stella’, Chicago: Museum
of Contemporary Art

William S. Rubin, ‘Frank Stella’, New York: The Museum of Modern Art

George Heard Hamilton, ‘Nineteenth and Twentieth Century Art: Painting and
Sculpture’, New York: Harry N. Abrams

Andrew Hudson, ‘Ten Washington Artists: 1950–1970’, Alberta: Edmonton Art
Gallery

Sam Hunter, ‘La Pittura Americana del Dopoguerra’, Milan: Fratelli Fabbri Editori

Diane Johnson, ‘Washington: Twenty Years’, Baltimore: Baltimore Museum of Art

‘Kenneth Noland: New Paintings’, London: Kasmin Ltd. and Waddington Galleries

Daniel M. Mendelowitz, ‘A History of American Art’, New York: Holt, Rinehart and
Winston

1969

Ronald Alley, ‘Recent American Art’, London: Tate Gallery

Henry Geldzahler, ‘New York Painting and Sculpture: 1940–1970’, London: Pall
Mall Press, Ltd.

Will Grohmann, et al., ‘New Art Around the World: Painting and Sculpture’, New
York: Harry N. Abrams

Edward Lucie-Smith, ‘Late Modern’, New York: Praeger

Barbara Rose, ‘American Painting: The 20th Century’, Lausanne: Skira

Christopher Finch, ‘Stella, Noland, Caro’, Minneapolis: Dayton’s Gallery 12

1968 Gregory Battcock (ed.), ‘Minimal Art: A Critical Anthology’, New York: E.P. Dutton

John Coplans, ’Serial Imagery’, Pasadena, California: Pasadena Art Museum

‘Documenta IV’ Kassel: Museum Fridericianum

Cleve Gray (ed.), ‘David Smith by David Smith: Sculpture and Writings’, London:
Thames and Hudson

Max Kosloff, “Frank Stella and Kenneth Noland.” In ‘Renderings: Critical Essays
on a Century of Modern Art’, New York: Simon and Schuster

Herbert Read, ‘A Concise History of Modern Painting’, London: Thames and Hudson

1967

‘Kenneth Noland’, New York: André Emmerich Gallery

Michael Fried, ‘Morris Louis, 1912–1962’, Boston: Museum of Fine Arts

George Rickey, ‘Constructivism: Origins and Evolution’, New York: G. Braziller

Barbara Rose, ‘American Art since 1900, A Critical History’, New York: Frederick
A. Praeger

Alan R. Solomon, ‘New York: The New Art Scene’, New York: Holt, Rinehart and
Winston

1966

Lawrence Alloway, ’Systemic Paintin’, New York: Solomon R. Guggenheim
Foundation

Gregory Battcock (ed.), ’ The New Art: A Critical Anthology’, New York: Dutton

Aldo Pellegrini, ‘New Tendencies in Art’, New York: Crown Publishers

Michael Sonino (ed.), ‘New Art Around the World’ New York: H.N. Abrams

1965

Michael Fried, ‘Kenneth Noland’, New York: Jewish Museum

Henry Geldzahler, ‘American Painting in the Twentieth Century’ New York:
Metropolitan Museum of Art

William Seitz, ‘The Responsive Eye’, New York: The Museum of Modern Art

‘Three American Painters: Kenneth Noland, Jules Olitski, Frank Stella’, Cambridge,
Massachusetts: Fogg Art Museum

‘The Washington Color Painters’, Washington, D.C.: Washington Gallery of Modern
Art

1964

Clement Greenberg,’Post-Painterly Abstraction’, Los Angeles: Los Angeles County
Museum of Art

‘Paintings by Jasper Johns, Morris Louis, Kenneth Noland and Robert
Rauschenberg’ Milan: Galleria dell’Ariete

‘Paintings by Kenneth Noland and Frank Stella’, Turin: La Galleria Notizie

Harold Rosenberg, ‘The Anxious Object: Art Today and Its Audience’, New York:
Horizon Press

Alan R. Solomon, ‘ XXXII Biennale d’Arte Venezia: Quatttro Artisti Germinali—Morris
Louis, Kenneth Noland, Robert Rauschenberg, Jasper Johns; Quattro Artisti Più
Giovani: John Chamberlain, Claes Oldenburg, Jim Dine, Frank Stella’, New York:
Jewish Museum

1963

‘Kenneth Noland’, New York: André Emmerich Gallery

‘Kenneth Noland’, Paris: Galerie Lawrence

‘Kenneth Noland: Paintings 1959–62’, London: Kasmin Ltd.

Lawrence Alloway, ‘Morris Louis 1912–1962: Memorial Exhibition, Paintings from
1954–1960’, New York: Solomon R. Guggenheim Foundation

1962

‘Kenneth Noland’, New York: André Emmerich Gallery

E.C. Goossen, ‘Kenneth Noland’,  Zurich: Galerie Charles Lienhard

‘65th American Exhibition: Some New Directions in Contemporary Paintings and
Sculpture’, Chicago: Art Institute of Chicago

1961

H.H. Arnason, ‘American Abstract Expressionists and Imagists’, New York: Solomon
R. Guggenheim Foundation

1960

Clement Greeberg, ‘Kenneth Noland’, Milan: Galleria dell’Ariete

1959

‘Kenneth Noland: Paintings’, New York: French & Company

 

Selected Press

2018

Daniel Kany, ‘Art Review: Strong Rabkin Exhibition Built on a Solid Fondation’,
Press Herald, May 20

2017

William Dave, ‘Impulse: A Group Show at Pace Gallery, London’, Wall Street
International Magazine, December 2

Sarah Edwards, ‘Kenneth Noland: Into the Cool’, Village Voice, February 7

‘The Stars of the Washington Color School Get a Transcendent Survey – See It
Here’, Artnet, December 18

Karen Wilkin, ‘At the Galleries’, The Hudson Review LXX, Spring

2016

Nicholas Forrest,’Pace London Puts Hoyland, Caro, and Noland in the Spotlight’,
Artinfo, January 3

Francesca Pola, ‘Enrico Castellani, Robert Mangold, Robert Morris, Kenneth
Noland. Galleria Fumagalli’, Artforum, November

Julia Halperin, ‘’Letting Colour Loose’: Kenneth Noland’s Final Paintings Come to
Pace New York’,  The Art Newspaper, December 9

Phillip Barcio, ‘Colors, Focus and Field in Kenneth Noland Paintings’, Ideelart.com, December 30

2014

Robert Janjigian, ‘New Gallery Puts Abstract Artist’s Works on View’, Palm Beach
Daily News, April 23

Paul Laster, ‘Re-View: Onnasch Collection’, Time Out New York, March 27

2011

Sarah P. Hanson, ‘In His Prime’,  Art + Auction, March

Ann Lane Hedlund, ‘Adventures in Modern Tapestry: Gloria Ross, Kenneth Noland
and Native American Weavers’, American Indian Art, Winter

2010

Sarah K. Riche, ‘More than Meets the Eye’, Artforum, March

Nicolas Trembley, ‘Géométrie invariable’, Numéro, March

William Grimes, ‘Kenneth Noland. Abstract Painter of Brilliantly Colored Shapes,
Dies at 85’, The New York Times, January 6

Alistaire McAlpine, ’Striking Stuff: Could Baseball have Inspired Some of Kenneth
Noland’s Paintings, Wonders Alistair McAlpine’,  World of Interiors, March

Mark Prince, ‘Kenneth Noland 1924–2010’, Art Monthly, February

Mark Prince, ‘News’,  Art & Antiques, February 2010

Sarah K. Rich, ‘Passages: Sarah K. Rich on Kenneth Noland’, Artforum, March

Karen Wilkin, ‘Chronicles: Art—Albert Kresch, Kenneth Noland, and in Rome,
Beatrice Caracciolo.’, Hudson Review, 2010

Karen Wilkin, ‘At the Galleries’, Hudson Review, Spring

Karen Wilkin, ‘Kenneth Noland 1924–2010’, Art in America, March

2006

Mark Prince,’Conceptual Formalism: Mark Prince on the Legacy of Kenneth Noland’,
Art Monthly, September

2005

Alex Coles, ‘Liam Gillick and the Kenneth Noland Scenario’, Parachute, April

Frances Colpitt, ‘Kenneth Noland’, Art US, May

2003

Amei Wallach, ‘Driven to Abstraction’, Art News, November

2001

Michael Brenson, ‘Hidden Heart’, New York, January 8

Matthew Collings, ‘Ken Noland’, Art Newspaper, October

Jonathan Goodman, ‘Kenneth Noland at Ameringer Howard’, Art In America, May

Daniel Kunitz, ‘Kenneth Noland: Circles’, New Criterion, February 2001

Sue Taylor, ’Clem’s Cache’, Art in America, November

Karen Wilkin, ‘Life after Formalism’, Art in America, November

1998

Richard Kalina, ‘The Green Mountain Boys’, Art in America, July

Daniel Rubey, ‘Kenneth Noland at André Emmerich’, Art in America, December

Katy Siegel, ‘Kenneth Noland’, Artforum, December

‘Up Front: Kenneth Noland, ‘Color Field’ ceramics at Zone One Contemporary
Gallery, Asheville’, Ceramics Monthly, October

Karen Wilkin, ‘On the Cover: Kenneth Noland’, Paris Review, Winter

1995

Richard Kalina,’Kenneth Noland at Leo Castelli’,  Art in America, November

Karen Wilkin, ’Kenneth Noland’, Art News, September

1994

Kenneth Noland, ‘Interview with Kenneth Noland’, Interview by Emma Ercoli, Next,
Autumn 

Barry Schwabsky, ‘Irreplaceable Hue’, Artforum, September

1993

‘Kenneth Noland: The Concentric Circle Paintings 1956–1963’,  Art in America,
August

1991

Anne Whitehouse, ‘To Kenneth Noland of ‘Hover’ 1963. American, 1924’,
Ploughshares, Spring

1990

David Anfam, ‘Richard Serra and Kenneth Noland, New York’, Burlington Magazine,
January

Jed. Perl, ‘The Legend Business’, New Criterion, January

1988

Karen Wilkin, ‘Artist’s Dialogue: Kenneth Noland’, Art News, September

1986

Sidney Tillim, ’Abstraction Revisted’, Art in America, April

1985

Thomas McEvilley, ‘Kenneth Noland’, Artforum, March

Kenworth Moffett, ‘Abstraction Offers the Most Exciting New Possibilities’, Art
New England, September

John Russell, ‘Kenneth Noland’, The New York Times, November 15

Phyllis Tuchman, ‘Architectural Digest Visits Kenneth Noland’, Architectural Digest,
July

1984

Michael Brenson, ‘Kenneth Noland’, The New York Times, December 14

‘Kenneth Noland: Winds, Painted Monotypes’, Print Collector’s Newsletter, January

Percy North, ‘Generations of the Washington Color School’, Washington Review,
October

Michael Peppiatt, ‘Sujet Tabou: Exposition Risquee’, Connaissance des Arts,
September

Karen Wilkin, ‘Kenneth Noland: Sensual Made Visible’,  Art Press, July

1983

Ronny Cohen, ‘Paper Routes’, Art News, October

Henry Gerrit, ‘Kenneth Noland at André Emmerich’, Art in America, Summer

Barbara Glaberson,’Kenneth Noland’, Art World, November

Gloria Moure, ‘Kenneth Noland: Denoting Color’, Arte, January 9

John Russell,’Kenneth Noland’, The New York Times, March 11

John Russell, Monotypes by Kenneth Noland’, The New York Times, November 18

Charles Talley, ‘The Navajo Tapestry: A Medium of Exchange’, Craft International,
April

Valentin Tatransky, ‘Kenneth Noland: As Great as Ever’, Arts Magazine, June

1982

Jane Addams Allen, ‘Time Tests the Artists’ Insights’, Washington Times, November
12

Will Ameringer, ‘Kenneth Noland’, Arts Magazine, May

Joanne Burstein, ‘Painters and Sculptors as Ceramists’, Artweek, February 27

E.A. Carmean, ’Celebrating the Birth of Stain Painting’, Washington Post, October
26

Margie Hughton, ‘New Works in Clay at Syracuse’, Ceramics Monthly, April

Pamela Jablons, ‘Collection within a Tradition’, Diversion, August 

Donald B. Kuspit, ’Out of the South: Eight Southern-born Artists’, Art Papers,
November

Jo Ann Lewis, ‘Noland’s Paper Art’,  Washington Post, October 30

Harry Rand, ‘Recent Painting. A Rambling Contemplation’, Arts Magazine, April

Paul Richard, ‘Full Circle for Noland’, Washington Post, May 4

1981

Geneviève Breerette, ‘Quatre abstraits amèricains à Bordeaux’, Le Monde,  March
12

Madeleine Deschamps, ‘Depuis la couleur’,  Art Press, January

Nina French-Frazier, ‘Kenneth Noland’, Art International, January

Hilton Kramer, ‘Modernist Show Moves Met Firmly into Art of 20th Century’,  The
New York Times, May 22

Jo Ann Lewis, ‘The SoHo Connection’, Washington Post, November 29

Paul Richard, ‘$300,000 Surprise: Kenneth Noland’s Washington Color Canvas
Hits the Bull’s-Eye’, Washington Post, November 21

John Russell, ’Kenneth Noland’, The New York Times, June 5

1980

Madeleine Deschamps, ‘Surfaces et supports des années 60: la post-painterly
abstraction’, Art Press, April

Patricia Newman, ‘New Processes Add Tangible Shape to Venerable Art Form’,
The Smithsonian, August

John Russell, ’Kenneth Noland’, The New York Times, November 7

Valentin Tatransky, ‘Group show, Knoedler’,  Arts Magazine, February

Laurie Wilson, ‘Bride of the Black Moon: An Iconographic Study of the Work of
Louise Nevelson’,  Arts Magazine, May

1979

Barbara Cavaliere, ‘Kenneth Noland’, Arts Magazine, January 1979

Henry Gerritt, ‘Paper in Transistion’, Print Collector’s Newsletter, July

Carl Goldstein, ‘Teaching Modernism: What Albers Learned in the Bauhaus and
Taught to Rauschenberg, Noland, and Hesse’, Arts Magazine, December

Alwynne Mackie, ‘Kenneth Noland and Quality in Art’, Art International, Summer

Phil Patton, ‘A Master of Abstract Painting: Kenneth Noland’, Eastern Review, June 

Vivien Raynor, ‘Paper and Ceramics Are the Canvas’, The New York Times, November
18

Paul Richard, ’Portrait: Washington, D.C.’, Portfolio, June

Ellen Schwartz, ‘Kenneth Noland’,  Art News, January

1978

Madeleine Burnside, ‘Kenneth Noland’, Art News, February

Irene Clurman, ‘Artist Kenneth Noland Offers No Easy Answers’, Rocky Mountain
News, April 2

Ellen Edwards, ‘Pay Attention to Kenneth Noland’, Miami Herald, March 5

Noel Frackman, ‘Review’, Arts Magazine, March

April Kingsley, ‘Galleries: Out-of-the-Ordinary Mixed Bags.” Village Voice, January2

Jeff Perrone, ‘Review’,  Artforum, February

Martha Mc Williams Wright, ‘Washington’, Art International, January

1977

David Bourdon, ‘Retreating from Olympus’,  Village Voice, May 2

Benjamin Forgey, ‘In the Wake of the Washington Color School’, Washington Star,
October

Grace Glueck, ‘The 20th Century Artists Most Admired by Other Artists’,  Art News,
November

Barbara Gold, ‘Painters in the Shadow of Noland, Louis’, Baltimore Sun, December
25

Thomas B. Hess, ‘Kenneth Noland, Hesitant Prophet’, New York, May 23

Robert Hughes, ‘Pure, Uncluttered Hedonism’, Time, May 2

Mark Jenkins, ‘Kenneth Noland’s Endlessly Charming Paintings’, Unicorn Times,
November

Betty Kaufman, ‘Noland’s Pitch’,  Art World, December

Hilton Kramer, ‘Art: Landmarks on the Color Field’, The New York Times, April 22

Kenneth Noland, ‘Color, Format and Abstract Art: An Interview with Kenneth
Noland’, Interview by Diane Waldman, Art in America, May

Stephen Polcari, ‘Kenneth Noland: Independence in the Face of Conformity’, Art
News, Summer

Paul Richard, ‘Look Who’s Back, Letting Color Sing’, Washington Post, September

Meir Ronnen, ‘Kenneth Noland’, Jerusalem Post Magazine, November

Harold Rosenberg, ‘Kenneth Noland’, The New Yorker, June 20

John Russell, ‘A Show to Lighten Your Step And Bring Smiles’, The New York Time, 
May 1

Mark Stevens, ‘Noland’s Garden of Color’, Newsweek, May 16

Jerry Tallmer, ’Diamonds of the ‘50s Bring it All Back’, New York Post, April

Amei Wallach, ‘Unfettered Classicist’, Newsday, April

Martha McWilliams Wright, ‘Washington’, Art International, January

1976

Suzi Gablik, ‘Kenneth Noland at Emmerich downtown’, Art in America, March

Kenworth Moffett, ‘Kenneth Noland’s New Paintings and he Issue of the Shaped
Canvas’, Art International, April

1975

E.A. Jr. Carmean, ‘Kenneth Noland and the Compositional Cut’, Arts Magazine,
December

Paul Overy, ‘Reviews’, London Times, December 1975.

Carter Ratcliff, ‘Notes on a Transitional Period: Noland’s Early Circle Paintings, 
Art in America, May

R.J. Rees, ’Kenneth Noland’, Studio International, January

John Russell, ’Art: In Show of New Noland Paintings, Consistency Takes Unexpected
Forms’, The New York Times, November 22

John Russell, ‘Art: Noland’s Early Circles, Genuine Contributions, The New York
Times, January 11

David Bourdon, ’Art: Abstract Painting Changes Shape’, The Village Voice, December 

1974

Ken Carpenter, ‘To Re-Examine the Work of Kenneth Noland’, Studio International,
July

1973

Lawrence Alloway, ‘Art’, The Nation, March 19

Jane Bell, ‘Reviews: New York’, Arts Magazine, April 

Lizzie Borden, ‘Reviews’, Artforum, May

Bernard Denver, ‘Hans Hofmann and Kenneth Noland at the Waddington Gallery’, 
Studio International, September 

John Elderfield, ‘Painterliness Redefined: Jules Olitski and Recent Abstract Art
II’,  Art International, April

Hilton Kramer, Hilton, Kenneth Noland and the New Romanticism, The New York
Times, March 4

Kenworth Moffett, ‘Kenneth Noland’, Art International, Summer

John Perreault, ‘Art: A Chic Springtime for Bagels’, The Village Voice, 1973

Barbara Rose, ‘Beyond the Madding Crowd’, New York, March 12

Jeanne Siegel, ‘Reviews and Previews’, Art News, April 

David Weinstein, ‘Noland and Zox at Emmerich’,  Art in America, September

1972

Kenneth Baker, ‘The Problem of the Edge’, Christian Science Monitor, February
16

John Elderfield, ‘Abstract Painting in the Seventies’,  Art International, Summer

Hilton Kramer, ‘The Return of ‘Handmade’ Painting’, The New York Times,  April 30

Leo Steinberg, ‘Reflections on the State of Criticism’, Artforum, March

1971

Walter Bannard, ‘Noland’s New Paintings’, Artforum, November 

‘Canvases Brimming with Color’, Life, September  24

Henri Coulanges, ‘Beauté Suave’, Connaissance des arts, March 

John Elderfield, ’Mondrian, Newman, Noland: Two Notes on Changes in Style’,
Artforum, December

Edward B. Henning, ‘Color and Field’, Art International, May 20

Hilton Kramer, ‘Noland Paintings Begin a New Series’, The New York Times, October
23

Joseph Masheck, ‘Sorting Out the Whitney Annual’, Artforum, February 

Patrick McCaughey, ‘Pictorialism and Some Recent Sculpture’, Arts Magazine,
Summer

Kenworth Moffett,’Noland Vertical’, Art News, October

Carter Ratcliff, ‘New York Letter’, Art International, December  20

Norma Skurka, ‘Home for the working artist’, The New York Times, October 3

1970

Walter Bannard, ’Notes on American Painting of the Sixties’, Artforum, January

Hans Curjel, ‘Zurich: Kenneth Noland’, Werk, April 18

Terry Fenton, ‘The David Mirvish Opening Show: Toronto’, artscanada, December

Benjamin Forgey, ‘Now There’s a Painting Gap’, Evening Star, December 8

Elizabeth Glazebrook, ‘Art’, Queen , July

Alan Gouk, ‘An Essay on Painting’,  Studio International, October 

Niels Luning Prak, ‘Persistent Schemes: The Quest for a Neutral Form’, Art
International, September

Paul Richard, ‘But Not Forgotten’, Washington Post, December 26

Phyllis Tuchman,’American Art in Germany: The History of a Phenomenon’,
Artforum, November

Max Wykes-Joyce, ‘Art in London: Six New Exhibitions’, International Herald
Tribune, June 20

1969

‘Art: From the Brink, Something Grand’, Time, October 24

Legrace G. Benson, ‘The Washington Scene’,  Art International, Christmas 

Nicolas Calas, ‘Art & Strategy’, Arts Magazine, March

John Coplans,’Serial Imagery’, Artforum, October 

Eleanor Freed, ‘A Windfall for Texas’, Art in America, November

Michael Fried, ‘Recent Work by Kenneth Noland’,  Artforum, Summer 

J. Jacobs, ‘Collector: Joseph H. Hirshhorn’, Art in America, July 

Katherine Kline, ‘Reviews and Previews’, Art News, Summer 

Philip Leider, ‘Modern American Art of the Met’, Artforum, December 

Robert Melville, ‘Gallery: Minimalism’,  Architectural Review, August 

‘Noland: The Spectrum is the Message’, Time, April 18

‘Painting: Bold Emblems’, Time, April 18

Peter Schjeldahl, ‘New York Letter’, Art International, Summer

David L. Shirey, ‘Super Show’, Newsweek, October 20

Karen Wilkin, ‘Bold Emblems’, Time, April 18

1968

Dore Ashton, ‘New York’, Studio International, February

Nicolas Calas, ‘Maximal and Minimal Contructivism and Structures’,  Arts
Magazine, June

John Coplans, ‘Serial Imagery’, Artforum, October

Ian Dunlop, ‘Colourful and Likeable, That’s Kenneth Noland’, Evening Standard,
June 17

Anita Fieldman, ‘Kenneth Noland’, Arts Magazine, December

A. Gordon, ‘Art in the Modern Manner’,  Connoisseur, September

Clement Greenberg, ‘Poetry of Vision’, Artforum 7, April

Charles Harrison, ‘Recent Works by Kenneth Noland at Kasmin’, Studio
International, July

Hilton Kramer, ‘The Abstract and the Real, from Metaphysics to Visual Facts’, The
New York Times, July 21

Hilton Kramer, ‘The Metropolitan Takes Another Step Forward’, The New York
Times, May 25

Rosalind Krauss, ‘On Frontality’, Artforum, May

Philip Leider, ’New York: The Art of the Real’, Artforum, September

Philip Leider, ‘The Thing is Painting in Color’, The New York Times, August 25

Lucy R. Lippard, ‘Constellation by Harsh Daylight: The Whitney Annual’, Hudson
Review, Spring

B. Lord, ‘Three American Painters Tour Canada’, Canadian Art, July

Michel Claura, ‘L’art du réel au Grand Palais’, Les Lettres françaises, December 4

Norbert Lynton, ‘Wide Open Spaces’, The Guardian, June 15

James R. Mellow, ‘New York Letter’, Art International, January 20

Ralph Pomeroy, ‘New York’, Art and Artists, January

Barbara M. Reise, ‘Greenberg and the Group: A Retrospective View, Part 1’, Studio
International, May

Barbara M.Reise, ‘Greenberg and the Group: A Retrospective View, Part 2’, Studio
International, June

Bryan Robertson, ‘Arts: The Straight and the Narrow’, Spectator, June 11

Barbara Rose, ‘Vogue’s Spotlight Art: New York Season, ‘A Breather’’, Vogue, June

Jeanne Siegel, ‘Documenta IV: Homage to the Americans?’, Arts Magazine,
September

Rita Simon, ‘Kenneth Noland, Morris Louis, and Anthony Caro at Metropolitan
Museum’, Arts Magazine, June

Sidney Tilim, ’Evaluations and Re-Evaluations. A Season’s End Miscellany…’,
Artforum, Summer

Franck Whitford, Robert Kudielka. “Documenta 4: A Critical Review’, Studio
International, September

1967

Al. Brunelle, ‘The Sky-Colored Popsicle’, Art News, November

Jane Harrison Cone, ‘Kenneth Noland’s New Paintings’, Artforum, November

Andrew Hudson, ‘The Biennial: Corcoran’s 30th Exhibition Proves Value of
Experiments’, Washington Post, February 26

Andrew Hudson, ‘The 1967 Pitsburgh International’, Art International, Christmas

Andrew Hudson, ‘Washington: An ‘American Salon’ of 1967’, Art International, April
20

Max Kozloff, ‘Art’, The Nation, December 18

Hilton Kramer, ‘Kenneth Noland’, The New York Times, November 18

Kurt Von Meier, ‘Los Angeles: The New Pure Painting’, Art International, February
20

Sheldon Nodelman, ‘Sixties Art, Some Philosophical Perspectives’, Perspecta:
The Yale Architecture Journal

John Perreault, ‘Art: Stripes as Stripes’, The Village Voice, November 30

Paul Russell, ‘Exhibition Reviews: Caro, Noland at David Mirvish Gallery’, Arts
Canada, January

Sidney Tillim, ‘Scale and the Future of Modernism’, Artforum, October

1966

Lawrence Alloway, ‘Background to Systemic’, Art News, October

Dore Ashton, ‘Conditioned Historic Reactions: New York Commentary’, Studio
International, May

Walter Darby Bannard,’Present-day Art and Ready-made Styles’, Artforum,
December

William Berkson, ‘In the Galleries’, Arts Magazine, May

David Boirdon, ‘Review’, The Village Voice, March 10

Lawrence Campbell, ‘Reviews and Previews’, Art News, April

E.C. Goossen, ‘Distillation: A Joint Showing’, Artforum, November

Andrew Hudson, ’Kenneth Noland: Sarah’s Reach: A Mixture of Stillness and
Movement, of Austerity amd Exuberance’, Washington Post, May 8

Max Kozloff, ‘The Inert and the Frenetic’, Artforum, March

Hilton Kramer, ‘Art: The Postwar European Scene Documented’, The New York
Times, February 26

Hilton Kramer, ‘Systemic Painting: An Art for Critics’, The New York Times,
September 18

Lucy R. Lippard, ‘New York Letter: Off Color’, Art International, April 20

Barry Lord, ‘Three American Painters Tour Canada’, Canadian Art, July

Al. McConoghau, ‘Noland Wants His Paintings to Exist as Sensation’, Minneapolis
Tribune, March 13

Robert Pincus-Witten, ‘Systemic’ Painting: A Well-Chosen View is Presented by
Lawrence Alloway’, Artforum, November

G.R. Swenson, ‘New York: The Boundaries of Chaos’,  Art and Artists, April

1965 Dore Ashton, ‘Visual Pleasure from Austerity’, Studio International, February

Gene Baro, ‘London Letter’, Art International, June

Lawrence Campbell, ‘Reviews and Previews’, Art News, March

Jane Harrison Cone, ‘On Color in Kenneth Noland’s Paintings’, Art International,
June

Michael Fried, ‘Anthony Caro and Kenneth Noland: Some Notes on Not Composing’,
Lugano Review, Summer

Michael Fried, ‘The Confounding of Confusion’, Arts Yearbook

Nigel Gosling, ‘Art: Surprises from New York’, The Observer, April

Clement Greenberg, ‘America Takes the Lead, 1945–65’,  Art in America, August

C.H., ‘Basel: Signale Held, Kelly, Mattmüller, Noland, Olitski, Pfahler, Plumb,
Turnbull’, Werk, August

Jane Harrison, ‘On Color in Kenneth Noland’s Paintings’, Art International, June

Andrew Hudson, ‘Letter from Washington’, Art International, December

Donald Judd, ‘In the Galleries: Kenneth Noland’, Arts Magazine, March

Donald Judd, ‘New York Letter’, Art International, April

Lucy Lippard, ‘New York Letter’, Art International, February

Max Kozloff, ‘Month in Review: Abstract Attrition’,  Arts Magazine, January

Robert Melville, ‘Gallery: The Amazing Continuity’, Architectural Review, July

Edwin Mullins, ‘Art: Most Important American’, Sunday Telegraph, April 11

Georges Peillix, ‘Lausanne: Parallèlement, Arman—Kenneth Noland’, Werk, March

Stuart Preston, ‘Jewish Museum has Noland in Variety’, The New York Times,
February 5

Barbara Rose, ‘The Second Generation: Academy and Breakthrough’, Artforum,
September

John Russell, ‘The Stillness of a Noland’, Sunday Times, April 4

Irving Sandler, ‘The New Cool-Art’, Art in America, February

‘Six Paintings by Mr. K. Noland’, The Times, April 8

Elisabeth Stevens, ‘The Washington Color Painters’, Arts Magazine, November

David Thompson, ‘Art: Provocative New Talent’, The Queen, April 7

Karen Wilkin, ‘Peacock Duo’, Time, January 8

Robert Wraight,  ‘On the Galleries: Ringing the non-bells’, Tatler, April 21

1964

Gene Baro, ’The Venice Biennale’, Arts, September

Lawrence Campbell, ‘Reviews and Previews’, Art News, February

John Canaday, ‘Straw Without Bricks’, The New York Times, November 15

John Coplans, ‘Post-Painterly Abstraction: The Long-awaited Greenberg Exhibition
Fails to Make Its Point’, Artforum, Summer

Hans Curjel, ‘Zurich: Morris Louis, Kenneth Noland’,  Werk, August

‘La Galleria ‘Notizie di Torino’ presenta: Kenneth Noland e Frank Stella’, Borsa
d’Arte, December

James Monte, ‘Third Annual New York Show, Quay Gallery’, Artforum , May

Barbara Rose, ‘Kenneth Noland’,  Art International , Summer

Barbara Rose, ‘The Primacy of Color’, Art International, May

1963 ‘Abstract Painting from Paris and the United States’, The Times, April 24

Leslie Judd Alexander, ‘Gotham is Alive with Summer Art’, Washington Post, June
23

John Ashbery, ‘American Gallery in Paris Sells U.S. Art to Europeans’, New York
Herald Tribune, May 2

Gerald E. Finley, ‘Noland, Louis, Olitski in Canada’, Artforum, March

Michael Fried, ’New York Letter’, Art International, May

Clement Greenberg, ‘Three New American Painters: Louis, Noland, Olitski’,
Canadian Art, May/June

Thomas B. Hess, ‘The Phony Crisis in American Art’, Art News, May

J.P. Hodin, ‘Londres’, Quadrum

Donald Judd, ‘In the Galleries: Kenneth Noland’, Arts Magazine, September

Donald Judd, ‘In the Galleries: Toward a New Abstraction’, Arts Magazine,
September

Lucie-Smith, ‘Review’, The Listener, May 2

Norbert Lynton, ‘London Letter’, Art International, May 25

Robert Melville, ‘Exhibitions Painting and Sculpture’,  Architectural Review, July

James Monte, ‘Directions: American Painting, San Francisco Museum of Art’,
Artforum, November

Edwin Mullins, ‘In Search of a Line’, Apollo 77, May

Irving Sandler, ‘Reviews and Previews’, Art News, May

1962

Leslie Judd Ahlander, ‘The Emerging Art of Washington’, Art International,
November

‘Art Hitting the Bull’s Eye’, Newsweek, April 16

Lawrence Campbell, ‘New Blood in the Old Cross-Section’, Art News, January

Michael Fried, ‘New York Letter’, Art International, October

Clement Greenberg, ‘After Abstract Expressionnism’, Art International, October

Donald Judd, ‘In The Galleries: Geometric Abstraction in America’, Arts Magazine,
May

Donald Judd, ‘In the Galleries: Kenneth Noland’, Arts Magazine, September

Max Kozloff, ‘Art’, The Nation, April 21

Max Kozloff, ‘Letter to the Editor’, Art News, November

Brian O’Doherty, ‘Targets by Noland’, The New York Times, April 14

Irving Sandler, ‘In the Art Galleries’, New York Post, April 22

Irving Sandler, ‘In the Art Galleries’, New York Post, April 15

1961

Lawrence Alloway, “Easel Painting at the Guggenheim”, Art International, December

John Ashbery, ‘Paris Notes’, Art International, June

Carlyle Burrows, ‘Noland Art Purist”, New York Herald Tribune, March 19

John Canaday, ‘Whitney Again: The Annual Show Regulars Along with Twenty-Two
Newcomers’, The New York Times, December 17

Michael Fried, ‘Visitors From America’, Arts Magazine, December

Clement Greenberg, ‘Art. Interview: Clement Greenberg’, Newsweek, May 15

Jack Kroll, ‘American Painting and the Convertible Spiral’, Art News, November

Stuart Preston, ‘Art’, The New York Times, March 18

Jasia, Reichardt, ‘Modern Art in London: New New York Scene at New London
Gallery’, November

Irving Sandler, ‘New York Letter’, Art International, May

James Truitt, ‘Art-Arid D.C. Harbors Touted ‘New’ Painters’, Washington Post,
December 21

1960

Leslie Judd, Ahlander, ‘American Art in Microcosm’, Washington Post, January 17

Guiseppe Curonici, ‘Pittura Di Kenneth Noland’, Estratto Do Cenobio, Mensile di
Cultura, November

Clement Greenberg, ‘Louis and Noland’, Art International, May

William Rubin, ‘Young American Painters’, Art International, January

Kenneth B. Sawyer, ‘Art Notes: Noland and Hartigan Exhibits’, Baltimore Sun,
January

Thomas Wolfe, ‘Artist’s New Technique Goes All Over’, Washington Post, January

1959

Dore Ashton, ‘Art: An Emphasis on Size’, The New York Times, October

‘Big Pictures Fit un Little Rooms’, Washington Post, January

Martica Sawin, ‘In the Galleries: Kenneth Noland’, Arts Magazine, November

Martica Sawin, ‘New York Letter’, Art International

1958

Leslie Judd Portner, ‘Art in Washington’, Washington Post and Times Herald,
February 9

James Schuyler, ‘Reviews and Previews’, Art News, October

Anita Ventura, ‘In the Galleries’, Arts Magazine, October

1957

Dore Ashton, ‘Kenneth Noland Abstractions on Display’, The New York Times,
January 4

Jerome R. Mellquist, ‘In the Galleries: Kenneth Noland’, Arts Magazine, February

James Schuyler, ‘Reviews and Previews: First One-Man Show of Oils il New York,
at De Nagy’, Art New, February

1954

Carlyle Burrows, ‘Art Review’, New York Herald Tribune, January 24

James Fitzsimmons, ‘A Critic Picks Some Promising Painters’, Art Digest, January
15

Stuart Preston, ‘Gallery Variety’, The New York Times, January 17

1953

Leslie Judd Portner, ‘Two More Worthwhile Shows’, Washington Post, June 21

Leslie Judd Portner, ‘The Workshop and the Watkins’, Washington Post, February 

1952

Leslie Judd Portner, ‘Auction Friday; a Calfee Show’, Washington Post, November
16

1949

John Devoluy, ‘Art News in Paris’, International Herald Tribune, April 29