Joe Andoe

Jubilee City


New York

Inquire about the exhibition:
inquiries@alminerech.com

  • , Untitled (Calves), 2001
    Oil on linen
    86,4 x 127 x 3,8 cm
    34 x 50 x 1 1/2 inches
  • , Double Fleeper, 2009
    Oil on linen
    76,2 x 101,6 cm
    30 x 40 x 1 inches
  • , Tulips, 1995

    Oil on linen
    99,1 x 55,9 x 2,5 cm
    39 x 22 x 1 inches
  • , Untitled (Road in Color), 1998
    Oil on linen
    152,4 x 127 x 5,1 cm
    60 x 50 x 2 inches
  • , Untitled (Road), 1998
    Oil on linen
    116,8 x 91,4 x 5,1 cm
    46 x 36 x 2 inches
  • East Central, 2004
    Oil on linen
    127 x 152,4 x 5,1 cm
    50 x 60 x 2 inches
  • , Rough and Ready, 2005
    Oil on linen
    127 x 152,4 x 5,1 cm
    50 x 60 x 2 inches
  • , Menthol, 2010
    Oil on linen
    146,7 x 208,3 x 5,1 cm
    57 3/4 x 82 x 2 inches
  • , Mary , 2004
    Oil on linen
    146,4 x 208,6 x 3,8 cm
    57 5/8 x 82 1/8 x 1 1/2 inches
  • Kay, 2008
    Oil on linen
    213,4 x 177,8 x 5,1 cm
    84 x 70 x 2 inches
  • Untitled (Wolf), 1997
    Oil on linen
    213,4 x 177,8 x 5,1 cm
    84 x 70 x 2 inches
  • , Untitled (Mare and Foal), 1998
    Oil on linen
    177,8 x 213,4 x 5,1 cm
    70 x 84 x 2 inches
  • , Super Highway, 2010
    Oil on linen
    147,3 x 208,3 x 3,8 cm
    58 x 82 x 1 1/2 inches
  • , Yellow Tulip, 1998
    Oil on canvas
    101,6 x 55,9 x 2,5 cm
    40 x 22 x 1 inches

Press release

Joe Andoe Rides Again
By Deborah Solomon

It has now been almost 40 years since Joe Andoe headed east, arriving in New York from his native Tulsa, Oklahoma. He soon won attention for lean, roughly poetic paintings of horses and winding roads. Although he is sometimes thought of “that horse painter,” a survey of some 20 paintings spanning several decades at Almine Rech offers a much-needed reminder of the breadth of his achievements and his startling relevance to the current scene. For starters, he’s an important forerunner of the photo-based realism that has become the default style among younger artists today. Moreover, his work can be read as a form of social critique, with its views of a robust America on the brink of disappearance.


Selected press