Gerasimos Floratos

  • , Untitled, 2020
    Watercolor, acrylic, marker on paper
    27.9 x 35.6 cm
    11 x 14 in
  • , Untitled, 2020
    Watercolor, acrylic, marker on paper
    35.6 x 27.9 cm
    14 x 11 in
  • , Untitled, 2020
    Acrylic, marker, collage on paper
    27.9 x 33 cm
    11 x 13 in
  • , Untitled, 2020
    Watercolor, marker, acrylic on paper
    35.6 x 27.9 cm
    14 x 11 in
  • , Untitled, 2020
    Watercolor, ink, marker, collage on paper
    27.9 x 35.6 cm
    11 X 14 in
  • , Untitled, 2020
    Acrylic, marker, collage on paper
    27.9 x 27.9 cm
    11 X 11 in
  • , Untitled, 2020
    Oil on canvas
    152.4 x 243.8 cm
    60 X 96 in
  • , Untitled, 2020
    Oil, acrylic, collage on canvas
    182.9 x 182.9 cm
    72 X 72 in
  • , Aurie sync, 2020
    Oil, acyrlic, collage on canvas
    182.9 x 182.9 cm
    72 X 72 in
  • , Duplex 3, 2020
    Oil and collage on canvas
    108 x 106.7 cm
    42 1/2 X 42 in
  • , Crosswalk, 2020
    Oil, acrylic, mixed media on vinyl canvas
    182.9 x 243.8 cm
    72 X 96 in
  • , Eating noise, 2020
    Oil and acrylic on canvas
    213.4 x 167.6 cm
    84 X 66 in
  • , Treehouse, 2020
    Oil and collage on canvas
    182,9 x 182,9 cm
    72 x 72 inches
  • , Auric sync, 2020
    Oil and acrylic on canvas
    154. 9 x 217. 2 cm
    61 X 85 1/2 in
  • , Shared nimbus, 2020
    Oil, acrylic, mixed media on vinyl canvas
    132.1 x 224.8 cm
    52 X 88 1/2 in

Gerasimos Floratos (b. 1986) lives and works in New York City. Floratos grew up enmeshed within the overwhelming sensorial experience that is Times Square, the pounding commercial and touristic heart of the city, a place the artist refers to as “the center of the center”. To this day, his studio is stationed there, where he continues to work and live. Surrounded by the restlessness of midtown Manhattan, Floratos uses the hyper-charged atmosphere of his neighborhood as a springboard for deeper explorations of the urban matrix and the human subconscious. Impastoed paintings that are at once luminous and torpidly congested feature a rotating cast of anthropomorphic creatures: sauntering pedestrians, skyscraper bouquets, honking commuters, trudging oversize shoes, and hands with gigantic mushrooming fingers. Laden with the sonic qualities of city life, Floratos’ psycho-figurative bodies simultaneously map the internal workings of the artist's mind, and the visceral experience of his physical environment in what he describes as a form of “psychogeography”, a term borrowed from Guy Debord, a founding member of the Situationist International movement of the 1960s. By examining the ways the urban environment shapes our lived experience, Floratos captures the chaotic and anxious pace of the city, creating dense spaces crowded by larger than life subjects that radiate the oblivious audacity of big city personas.


Exhibitions