The Wall: Chris Succo

Televised Mind


Brussels

Inquire about the exhibition:
inquiries@alminerech.com

The gallery is open from 11 am until 7 pm.

  • , Televised Mind, 2022
    Silkscreen ink, resign and pigments on linen
    230 x 172,5 cm
    90 1/2 x 68 in
  • , Televised Mind, 2022
    Silkscreen ink and oil on linen
    230 x 172,5 cm
    90 1/2 x 68 in
  • , Televised Mind, 2022
    Silkscreen ink and oil on linen
    230 x 172,5 cm
    90 1/2 x 68 in
  • , Televised Mind, 2022
    Silkscreen ink, resign and pigments on linen
    230 x 172,5 cm
    90 1/2 x 68 in
  • , Televised Mind, 2022
    Silkscreen ink and oil on linen
    230 x 172,5 cm
    90 1/2 x 68 in
  • , Televised Mind, 2022
    Silkscreen ink, resin and pigments on linen
    230 x 172,5 cm
    90 1/2 x 68 in
  • , Televised Mind, 2022
    Silkscreen ink and oil on linen
    230 x 172,5 cm
    90 1/2 x 68 in

Press release

Almine Rech is pleased to announce Televised Mind, Chris Succo's fourth solo exhibition with the gallery.

If concerned with our boundaries of thinking, it may behoove you to start with letters. Marshall McLuhan postured that typography alters language from a means of perception and exploration to a portable commodity. In congruence, superpowers saw the economic value of the interchangeability of language with universal alphabets. Language evolved as linear and restrictive, creating a cage around creativity. Western humanity’s 26-29 letters attempt to portray the ineffeble—gesturing at ideas with fictitious sounds circumscribed by a misguided albeit imperative portability of Babylonian need. Despite good intentions and their necessity, the conceptual sound of thought has been bounded, tied, and gagged in a pornographic submission contrary to expanding consciousness. Being at a loss for words is not a personal experience but a species-bound issue of our own making.

- Alexis Schwartz, writer and critic