Everyone knows what a painting is: paint, pigment or colour applied to a surface. But in Ayan Farah’s hands a painting is much more than just that. In her work that surface often reacts to and records its exposure to light or it might involve a...
Ayan Farah
Notes on running Water
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Brussels
October 09 — November 12, 2014 • Brussels
October 09 — November 12, 2014 • Brussels
October 09 — November 12, 2014 • Brussels
October 09 — November 12, 2014 • Brussels
October 09 — November 12, 2014 • Brussels
October 09 — November 12, 2014 • Brussels
October 09 — November 12, 2014 • Brussels
October 09 — November 12, 2014 • Brussels
October 09 — November 12, 2014 • Brussels
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Ayan Farah, Sigrid, 2014
Clay and terracotta on canvas
170 x 120 cm -
Ayan Farah, Nevada, 2014
Clay, mud and ink on canvas and leather
170 x 120 cm -
Ayan Farah, Noma, 2014
Clay, ink and pigment on canvas
170 x 120 cm -
Ayan Farah, Seraphine Safir, 2014
Clay, mud and ink on linen and hemp
210 x 160 cm -
Ayan Farah, Rain, 2014
Clay, mud, rainwater and ink on canvas
210 x 160 cm -
Ayan Farah, Wave (earth), 2014
Mud and wainwater on canvas
210 x 160 cm -
Ayan Farah, Wave, 2014
Clay, ink and rainwater on canvas
210 x 160 cm -
Ayan Farah, Wave (steady), 2014
Terracotta, clay and rainwater on canvas
210 x 160 cm -
Ayan Farah, RA - Paragon, 2014
Sun faded fabric
245 x 135 cm -
Ayan Farah, RA - Retreat, 2014
Sun faded fabric
245 x 135 cm -
Ayan Farah, Ebb, 2014
Mud, clay and ink on canvas
240 x 170 cm -
Ayan Farah, Bay, 2014
Clay, mud, ink and rust on canvas
240 x 170 cm -
Ayan Farah, Untitled (Som), 2014
Terracotta on linen
210 x 160 cm -
Ayan Farah, Torn, 2014
Clay, Dead Sea mud and ink on linen
240 x 90 cm