Blair Thurman

  • , Alpine Stereo, 2019
    Acrylic on canvas on wood, diptych
    137 x 217 x 6 cm
    54 x 94 1/8 x 2 3/8 in
  • , Winter Greens, 2019
    Acrylic on canvas on wood
    60 x 35 x 1,5 inches
    155 x 89 x 4,5 cm
  • , Prime Number, 2016
    Acrylic and canvas on wood
    121,3 x 139,9 x 17,8 cm
    47 3/4 x 55 1/8 x 7 inches
  • , Ten Fucking Years (Ticket to Ride), 2016
    Acrylic and canvas on wood
    152,4 x 184,2 x 20,8 cm
    60 x 72 1/2 x 8 1/4 inches
  • , Ten Fucking Years (Chrome-Arty), 2016
    Acrylic and canvas on wood
    152,4 x 183 x 20,8 cm
    60 x 72 x 8 1/4 inches
  • , Noxon Wood, 2016
    Acrylic and canvas on wood
    121,9 x 69,2 x 5,1 cm
    48 x 27 1/4 x 2 inches
  • , CCKSCKR (Safe Kracker), 2016
    Acrylic and canvas on wood
    188 x 121,9 x 10,2 cm
    74 x 48 x 4 inches
  • , Dynamic Friend (Night Owl), 2016
    Acrylic and canvas on wood
    243,84 x 114,3 x 16,51 cm
    96 x 45 x 6 1/2 inches
  • , Turf Bilder, 2016
    Acrylic and canvas on wood
    237,5 x 51 x 16,5 cm
    93 1/2 x 20 1/8 x 6 1/2 inches
  • , Avengers, 2016
    Acrylic and canvas on wood
    237,5 x 51,4 x 15,9 cm
    93 1/2 x 20 1/4 x 6 1/4 inches
  • , Silver Slipper, 2016
    Acrylic and canvas on wood
    237,5 x 51,4 x 15,9 cm
    93 1/2 x 20 1/4 x 6 1/4 inches
  • , Grease Monkey, 2016
    Acrylic and canvas on wood
    132,1 x 64,1 x 5,7 cm
    52 x 25 1/4 x 2 1/4 inches
  • , DAY-GLO TRIPPER, 2016
    Acrylic and canvas on wood
    216,9 x 117,8 x 6,4 cm
    85 3/8 x 46 3/8 x 2 1/2 inches
  • , Empirical Form II (Red Leader), 2016
    Acrylic and canvas on wood
    147,32 x 129,54 x 7,62 cm
    58 x 51 x 3 inches
  • , Empirical Form I (Death Star), 2016
    Acrylic and canvas on wood
    147,3 x 129,5 x 7,6 cm
    58 x 51 x 3 inches
  • , Empirical Form III (Jedi Rhino), 2016
    Acrylic and canvas on wood
    147,3 x 129,5 x 7,6 cm
    58 x 51 x 3 inches
  • , Everyone Gets the Boot...Eventually, 2016
    Acrylic and canvas on wood
    183,83 x 72,71 x 9,53 cm
    72 3/8 x 28 5/8 x 3 3/4 inches
  • , Surface Support, 2016
    Acrylic and canvas on wood
    92,08 x 104,78 x 4,13 cm
    36 1/4 x 41 1/4 x 1 5/8 inches
  • , Zardoz , 2016
    Acrylic and canvas on wood
    121,9 x 140,9 x 6,3 cm
    48 x 55 1/2 x 2 1/2 inches
  • , A Steamed Friend (Menemsha), 2015
    Acrylic on canvas on wood
    215,9 x 118,1 cm
    85 x 46 1/2 inches
  • , An Apple A Day (Adam & Eve), 2015
    Acrylic on canvas on wood
    113 x 102,9 x 2,9 cm
  • , Concentric Millionaire, 2015
    Acrylic on canvas on wood
    113 x 102,9 x 2,9 cm
  • , Funny Old Sun, 2015
    Acrylic on canvas on wood
    83,8 x 83,8 x 6,4 cm

Blair Thurman is known for his post-minimalist paintings, neons and wall works. In the 1980s, as a way to escape the theories of the period, Thurman began to explore “pre-art school” subject matter and revisited his childhood fascination with cars. He continues to be particularly interested in the iconography of Hot Wheels and slotcar tracks to explore American consumer culture. As a child, Thurman was often behind the scenes at the Institute of Contemporary Art, Boston, where his mother was director. He admired the aesthetics of both pop and minimalist art, particularly the works of Nam June Paik, Carl Andre, and Ed Kienholz, which come through in his work.


Exhibitions