Taryn Simon directs our attention to familiar systems of organization bloodlines, criminal investigations, mourning, flower arrangements making visible the contours of power and authority hidden within. Incorporating mediums ranging from photography and sculpture to text, sound, and performance, each of her projects is shaped by years of research and planning, including obtaining access from institutions as varied as the U.S. Department of Homeland Security, Central Zionist Archives, the CIA's abstract art collection, and Playboy Enterprises, Inc.
Simon’s work is in the collections of the Metropolitan Museum of Art, New York; Tate Modern, London; Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; Centre Pompidou, Paris; Kunstmuseum Lucerne; and Los Angeles County Museum of Art. Her work has been exhibited with the Aichi Triennale (2019), Massachusetts Museum of Contemporary Art, North Adams, Massachusetts (2018–2019); Artangel in Islington, London (2018); Louisiana Museum of Modern Art, Humlebaek, Denmark (2016–2017); Park Avenue Armory, New York (2016); Albertinum, Dresden (2016); Galerie Rudolfinum, Prague (2016); Garage Museum of Contemporary Art, Moscow (2016); the 56th Venice Biennale (2015); Jeu de Paume, Paris (2015); Ullens Center for Contemporary Art, Beijing (2013); Museum of Modern Art, New York (2012); Tate Modern, London (2011); Neue Nationalgalerie, Berlin (2011); and Whitney Museum of American Art, New York (2007). Simon’s honors include the Guggenheim Memorial Foundation Fellowship in Photography and a Photo London Master of Photography award.
Taryn Simon
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Taryn Simon, Lucasfilm Archives, Props and Set PiecesSkywalker RanchMarin County, California, 2007
Archive impression jet d’encre Archival inkjet print
94.6 x 113.7 x 4.1 cm (framed)
37 1/4 x 44 3/4 x 1 5/8 in (framed)
Edition 6 of 7 + 2 AP -
Taryn Simon, Finance package for the construction of the Baku-Tbilisi-Ceyhan pipeline. Baku, Azerbaijan, February 3, 2004, 2005
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed)
85 x 73 1/4 x 2 3/4 Inches (framed)
Edition 3 of 3 + 2 AP -
Taryn Simon, Thirty-year natural gas contract between Gazprom and China National Petroleum Corporation. Shanghai, China, May 21, 2014, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed) -
Taryn Simon, Agreement between Switzerland and the United States of America for Cooperation to Facilitate the Implementation of FATCA. Bern, Switzerland, February 14, 2013, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed) -
Taryn Simon, Framework agreement for economic cooperation. Quito, Ecuador, January 12, 2012, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed) -
Taryn Simon, Cairo Communiqué on International Cooperation for the Protection and Repatriation of Cultural Heritage, Cairo, Egypt, April 8, 2010, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed) -
Taryn Simon, Comprehensive claims settlement agreement between Libya and the United States. Tripoli, Libya, August 14, 2008
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed)
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Taryn Simon, Agreement Establishing the International Islamic Trade Finance Corporation. Al-Bayan Palace, Kuwait City, Kuwait, May 30, 2006, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed)
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Taryn Simon, Finance package for the construction of the Baku-Tbilisi-Ceyhan pipeline. Baku, Azerbaijan, February 3, 2004, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed)
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Taryn Simon, Comprehensive Cooperation Agreement. Caracas, Venezuela, October 30, 2000, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed)
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Taryn Simon, Diamond trade agreement between De Beers and Almazy Rossii-Sakha. President Hotel, Moscow, Russia, October 21, 1997, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed)
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Taryn Simon, Agreement on Trade-Related Aspects of Intellectual Property Rights (TRIPS). Marrakesh, Morocco, April 15, 1994, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed)
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Taryn Simon, Finding Pursuant to Section 662 of the Foreign Assistance Act of 1961, as Amended, Concerning Operations in Foreign Countries Other than Those Intended Solely for the Purpose of Intelligence Collection. White House, Washington, D.C., United States, 1981, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed)
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Taryn Simon, Gdansk Agreement. Gdansk Shipyards, Gdansk, Poland, August 31, 1980, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed)
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Taryn Simon, Classified “ Spare Parts ” deal. Oval Office, White House, Washington, D.C., United States, May 16, 1975, 2015
Archival inkjet print and text on archival herbarium paper in mahogany frame
215,9 x 186,1 x 7 cm (framed) 85 x 73 1/4 x 2 3/4 inches (framed)
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Taryn Simon, United States, 2014
53 black & white images, Diptych: archival inkjet prints in 2 boxed mats and aluminium frames
101,3 x 393,1 cm (framed) -
Taryn Simon, Undisclosed Latin American Country, 2014
3 black & white images, archival inkjet prints in boxed mat and aluminium frame
50,2 x 62,2 cm (framed) -
Taryn Simon, North Korea, 2014
1 black & white image, archival inkjet prints in boxed mat and aluminium frame
41 x 27,6 cm (framed) -
Taryn Simon, Monaco, 2014
5 black & white images, archival inkjet prints in boxed mat and aluminium frame
41 x 91,1 cm (framed) -
Taryn Simon, Italy, 2014
64 black & white images, Diptych: archival inkjet prints in 2 boxed mat and aluminium frames
101,3 x 482 cm (framed) -
Taryn Simon, France, 2014
12 black & white images, archival inkjet prints in boxed mat and aluminium frame
90,5 x 163,2 cm (framed) -
Taryn Simon, Ionian Sea, 2014
2 black & white images, archival inkjet prints in boxed mat and aluminium frame
41 x 42,2 cm (framed) -
Taryn Simon, Azerbaijan, 2014
4 black & white images
50,2 x 93,3 cm (framed) -
Taryn Simon, Afghanistan, 2014
4 black & white images, archival inkjet prints in boxed mat and aluminium frame -
Taryn Simon, Folder: Wealth, 2013
Archival inkjet print
119,4 x 157,5 cm (framed) -
Taryn Simon, WILLIAM GREGORY Wick’s Parlor, Louisville, Kentucky With fiancée Vicki Kidwell, whom he dated prior to conviction Gregory was pool champion in prison Served 7 years of a 70-year sentence for Rape and Burglary, 2002
Chromogenic print
121,9 x 157,5 -
Taryn Simon, Black Square VII, Videophone, the first consumer-ready videocalling unit, 1964, 2012
Archival inkjet print
80 x 80 cm -
Taryn Simon, Black Square XII, Protocols of the Learned Elders of Zion, 2012
Archival inkjet print
80 x 80 cm (framed) -
Taryn Simon, Black Square IV, The Blaster, South Africa, 2011
Archival inkjet print
80 x 80 cm -
Taryn Simon, Excerpt from Chapter XVII
A Living Man Declared Dead and Other Chapters I–XVIII -
Taryn Simon, Excerpt from Chapter XVII
A Living Man Declared Dead and Other Chapters I–XVIII -
Taryn Simon, Excerpt from Chapter VI
A Living Man Declared Dead and Other Chapters I–XVIII -
Taryn Simon, Excerpt from Chapter VI
A Living Man Declared Dead and Other Chapters I–XVIII -
Taryn Simon, CHAPTER I (The living dead, India), 2011
Archival inkjet prints comprised of 3 components
213,36 x 301,63 cm (framed) -
Taryn Simon, Excerpt from Chapter I
A Living Man Declared Dead and Other Chapters I–XVIII -
Taryn Simon, Tim Durham Skeet shooting, Tulsa, Oklahoma 11 alibi witnesses placed Durham at a skeet-shooting competition at the time of the crime Served 3.5 years of a 3,220 year sentence for Rape and Robbery, 2002
Chromogenic print
121.9 x 152.4 cm -
Taryn Simon, Troy Webb Scene of the crime, The Pines, Virginia Beach, Virginia Served 7 years of a 47-year sentence for Kidnapping, Rape and Robbery, 2002
Chromogenic print
121.9 x 152.4 cm -
Taryn Simon, Cryopreservation Unit Cryonics Institute Clinton Township, Michigan, 2007
Chromogenic print, framed
95 x 113 cm -
Taryn Simon, Research Marijuana Crop Grow Room, National Center for Natural Products Research, Oxford, Mississippi, 2007
Chromogenic print, framed
95 x 113 cm -
Taryn Simon, Fireworks by Grucci, Northern Test Side Corporate Headquarters Brookhaven, New York, 2007
Chromogenic print, framed
95 x 113 cm -
Taryn Simon, Nuclear Waste Encapsulation and Storage Facility, Cherenkov Radiation Hanford Site, U.S. Department of Energy Southeastern Washington State, 2007
Chromogenic print, framed
95 x 113 cm -
Taryn Simon, (Prohibited), 2010
2 archival inkjet prints in 1 Plexiglass box
23.5 x 39.4 x 6.4 cm -
Taryn Simon, Cigarettes & Tobacco (Abandoned / Illegal / Prohibited), 2010
25 archival inkjet prints in 5 Plexiglass boxes
23.5 x 94.6 x 6.4cm -
Taryn Simon, Cigarettes & Tobacco (Abandoned / Illegal / Prohibited), 2010
25 archival inkjet prints in 5 Plexiglass boxes
23.5 x 94.6 x 6.4 cm -
Taryn Simon, Handbag, Louis Vuitton (disguised) (counterfeit), HANDBAGS, LOUIS VUITTON (COUNTERFEIT) , 2010
detailed view -
Taryn Simon, Bird corpse, labeled as home décor, Indonesia to Miami, Florida (prohibited) - ANIMAL CORPSES (PROHIBITED), 2010
detailed view -
Taryn Simon, Folder: Accidents, 2013
Archival inkjet print
119,4 x 157,5 cm (framed) -
Taryn Simon, Folder: Chiaroscuro, 2013
Archival inkjet print
119,4 x 157,5 cm (framed) -
Taryn Simon, Folder: Costume - Veil, 2013
Archival inkjet print
119,4 x 157,5 cm (framed) -
Taryn Simon, Folder: Explosions, 2013
Archival inkjet print
119,4 x 157,5 cm (framed) -
Taryn Simon, Folder: Snow - Avalanches, 2013
Archival inkjet print
119,4 x 157,5 cm (framed) -
Taryn Simon, Folder: Tug of War, 2013
Archival inkjet print
119,4 x 157,5 cm (framed) -
Taryn Simon, Chapter XVII (Orphans, Ukraine), 2011
Archival inkjet prints comprised of 5 components
213,36 x 614,36 cm (framed) -
Taryn Simon, Oca (Prohibited), 2010
1 archival inkjet prints in 1 Plexiglass box
23.5 x 20.96 x 6.35 cm
Exhibitions
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Photo Brussels Festival
— • Brussels -
August Presentation
— • Aspen -
Summer
— • Paris -
Paperwork and the Will of Capital
— • Brussels -
Birds of the West Indies
— • Paris -
The Picture Collection
— • Paris -
Art Basel 2013
— • Basel -
A Living Man Declared Dead and Other Chapters I – XVIII
— • Paris -
Contraband
— • Brussels -
An American Index of the Hidden and Unfamiliar
— • Paris
Museum Exhibitions
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Manifesto of fragility
— • Biennale de Lyon, France -
Human Brains: It Begins with an Idea
— • Fondazione Prada Ca' Corner della Regina, Venice, Italy -
‘The Color Of A Flea’s Eye: The Picture Collection 2013-2021'
— • The New York Public Library, New York, US -
Assembled Audience
— • Wexner Center for the Arts, Columbus, Ohio -
Measure Your Existence
— • Rubin Museum of Art, New York, United States -
Unseen
— • J. Paul Getty Museum, Los Angeles, California -
An American Index of the Hidden and Unfamiliar, Taming Y/Our Passion: Aichi Triennale
— • Toyota Municipal Museum of Art, Toyota, Japan -
Civilisation, The Way We Live Now
— • National Museum of Contemporary Art, Korea -
A Cold Hole Assembled Audience
— -
The Future Starts Here
— • Victoria & Albert Museum, London -
Hello World.
— • Hamburger Bahnhof, Berlin -
An Occupation of Loss
— • Artangel - Corner of Islington Green, Essex Road, London -
Nothing Stable Under Heaven
— • San Francisco Museum of Modern Art, San Francisco, California -
Shouting Is Under Calling
— • Kunstmuseum Luzern, Lucerne, Switzerland -
Paperwork and the Will of Capital
— • Musée d’art contemporain de Montréal, Montréal, Canada -
An American Index of the Hidden and Unfamiliar
— • Tate Modern, London -
Storylines: Contemporary Art at the Guggenheim
— • Solomon R. Guggenheim Museum, New York -
America is Hard to See
— • Whitney Museum of American Art, New York, New York -
Rear Views, A Star-forming Nebula, and the Office of Foreign Propaganda
— • Jeu de Paume, Paris -
A Living Man Declared Dead and Other Chapters I - XVIII
— • MoCA, Los Angeles -
A Living Man Declared Dead and Other Chapters I - XVIII
— • Neue Nationalgalerie, Berlin -
A Living Man Declared Dead and Other Chapters I - XVIII
— • Tate Modern, London
Selected press
- Ken Okiishi, 'Thought Experiment- Ken Okiishi on ''Human Brains; It Begins with an Idea'' at Fondazione Prada', Art Forum, June 2022 — 648.5 kB
- Sarah Cascone, ‘15 Perspective-Altering Shows to See in New York City in 2020, From the Met Breuer’s Final Bow to a Muslim-Fashion Tribute’, Artnet News, January 2020 — 239.6 kB
- 'Review: Hallelujah! Leonard Cohen’s Music is Being Honored at the Jewish Museum', WNYC News, April 10th, 2019 — 170.6 kB
- Rachel Spence, 'Taryn's Spectacle Of Sadness: An Occupation Of Loss, London', The Financial Times, April 24th, 2018 — 688.8 kB
- Sarah Kent, 'Taryn Simon: An Occupation Of Loss', The Arts Desk, April 24th, 2018 — 1.2 MB
- Waldemar Januszczak, ‘An Occupation of Loss, Islington Green’, The Times, April 22nd, 2018 — 733.8 kB
- Ben Luke, Gareth Harris and Jose Da Silva, ‘From the high emotions of Taryn Simon's professional mourners to photography galore at Somerset House and the Hayward Gallery ’, The Art Newspaper, April 20th, 2018 — 171.5 kB
- Eddy Frankel, ‘Taryn Simon: An Occupation of Loss review’, TimeOut London, April 20th, 2018 — 121.8 kB
- Tabish Khan, What Does It Feel Like To Listen To Others Grieving? The Londonist, April 20th, 2018 — 1.9 MB
- Vincent Dowd, ‘Meet the 'professional mourners' united in grief ’, BBC, April 19th, 2018 — 271.6 kB
- Alastair Sooke, 'Taryn Simon, review: a wailing, primal cacophony with the flavour of a surreal dream' The Daily Telegraph, April 19th, 2018 — 191.2 kB
- Adrian Searle, 'An Occupation Of Loss', The Guardian, April 18th, 2018 — 638.6 kB
- Angie Kordic, 'Taryn Simon Invited 11 Professional Mourners for Her London Performance' Widewalls, April 12th, 2018 — 616.8 kB
- TF Chan, 'Taryn Simon to bring her seminal installation on mourning rites to London', Wallpaper, February 28th, 2018 — 479.3 kB
- 'Lights Out' The Art Newspaper, February 28th, 2018 — 811.9 kB
- Teju Cole, 'Capital, Diplomacy and Carnations', November 29th, 2016 — 2.9 MB
- 'Taryn Simon : Paperwork and the Will of Capital' at Almine Rech Gallery, Brussels', in Blouin Artinfo, October 14, 2016 — 533.8 kB
- Louis de Biasin, 'Galeries. Belgique. Taryn Simon', L'Éventail, October 2016 — 253.6 kB
- Cait Munro, 'Taryn Simon Goes Nuclear, Literally, at Mosco's Garage Museum', Artnet, March 19th, 2016 — 309.2 kB
- Christian N. Kerr, 'Taryn Simon Mines the Empty Aesthetics of Diplomacy', Hyperallergic, March 10th, 2016 — 160.0 kB
- Jillian Steinhauer, 'Taryn Simon's Floral Politik', New Republic, March 8th, 2016 — 190.1 kB
- Thessaly La Force, 'Fleurs du mal: how artist Taryn Simon constructs political bougets', The Guardian, February 24th, 2016 — 264.0 kB
- Alexxa Gothard, 'Taryn Simon Unearth the Flowers that Witnessed History's Most Pivotal Political Decision', Artsy, February 18th, 2016 — 220.1 kB
- Leslie Camhi, 'Taryn Simon on Her Alluring New Show at Gagosian', Vogue, February 5th, 2016 — 428.1 kB
- Andrea K. Scott, 'Heavy Petals', The New Yorker, January 18th, 2016 — 68.7 kB
- Marina Garcia Vasquez, 'Nuclear Wate Is Art in the Work of Taryn Simon', The Creators Project - Vice, June 9th, 2015 — 503.6 kB
- Alessia Glaviano, 'Taryn Simon - A video interview', Vogue Italy, June 3rd, 2015 — 697.9 kB
- Valérie Duponchelle, 'Taryn Simon, la fée impitoyable', LE FIGARO, March 3rd, 2015. — 184.0 kB
- Violaine Binet, 'L'oeil laser : Taryn Simon', VOGUE PARIS, March 2015 — 3.5 MB
- Jean-Max Colard, '60rendez-vous pour 2015: expo Taryn Simon, la profileuse', les inrockuptibles, January, 2015 — 9.3 MB
- Sara Corbett, 'Photographer Taryn Simon on Shooting Pussy Riot and the Politics of Media', VOGUE, August 2014 — 2.2 MB
- Clément Ghys, 'L'univers de "James Bond", une hétérotropie très hétéro', LIBERATION, December 21/22, 2013 — 316.4 kB
- C. M., '4 temps fort', LES INROCKUPTIBLES, December 2013 — 466.9 kB
- François Salmeron, 'Taryn Simon, the picture collection', PARIS ART, December 2013 — 260.8 kB
- Roxana Azimi, 'Archives à suivre',LE QUOTIDIEN DE L'ART, November 2013. — 99.1 kB
- Prabal Gurung, 'On Taryn Simon, Our Monday Muse', THE HUFFINHTON POST, August 20, 2013. — 744.3 kB
- Abdulla Al-Turki and Alia Al-Senussi, 'One on one with Taryn Simon', CANIVAS DAILY, March 19th, 2013 — 5.5 MB
- Richard Lacayo, 'There Will Be Bloodlines', TIME, May 14th, 2012. — 177.7 kB
- Chris Vroom, 'Taryn Simon and the Relativity of Truth', THE HUFFINGTON POST, February 14th, 2013. — 1.6 MB
- Anna Seaman, 'Taryn Simon exhibits her photography in first Dubai show', THE NATIONAL, February 12th, 2013. — 215.3 kB
- Eleanor Heartney, 'TARYN SIMON méprises', ARTPRESS, February, 2013. — 716.1 kB
- Jori Finkel,' Taryn Simon's 'A Living Man Declared Dead' at MOCA maps order, mess', LOS ANGELES TIMES, November 13th, 2012. — 133.3 kB
- Brian De Palma, 'Blow-up: Taryn Simon and Brian De Palma in conversation', ARTFORUM, June 1st, 2012. — 195.7 kB
- Camille Xin, 'Case Studies: Taryn Simon at MoMA', ART IN AMERICA, May 1st, 2012. — 230.7 kB
- 'A living Man Declared Dead by Taryn Simon', THE NEW YORKER, April 23rd, 2012. — 1.3 MB
- Raimar Stange, 'Taryn Simon: A Living Man Declared Dead and Other Chapters', ART REVIEW, January/February, 2012. — 2.0 MB
- Julie De Jonghe and Thijs Demeulemeester, 'Google imaginaire', SABATO (L'Echo), December 8th, 2012 — 780.8 kB
- Roxana Marcoci, ‘Between the Image and the Word’, APERTURE, Issue #209, February 2012 — 212.7 kB
- Richard Lacayo, 'There Will Be Bloodlines', TIME MAGAZINE, May 2012, pp. 48-51 — 3.2 MB
- Gillian Tett, 'Women at the top 2011, power with grace', FINANCIAL TIMES, December 2011. — 952.8 kB
- Georg Diez, 'Im Archiv der Tragödien', DER SPIEGEL, September, 2011. — 634.1 kB
- 'Taryn Simon, artist', FT Magazine, December 9th, 2011 — 1.9 MB
- 'The Artist's Artist', Artforum, December 2011 — 182.9 kB
- Rachel Somerstein, 'Q&A: Photog's descent into the underworld', WIRED, February 1st, 2011. — 272.9 kB
- A. Bogart, 'Go see- Londen: Taryn Simon's "A Living Man Declared Dead and Other Chapters" at Tate Modern until September 6th 2011', ARTOBSERVED, July 4th, 2011. — 90.8 kB
- Nina Caplan, 'Taryn Simon: A Living Man Declared Dead and Other Chapters, Tate Modern, London', THE INDEPENDENT, May 29th, 2011. — 18.4 kB
- Sean O'Hagan, 'Taryn Simon: A living Man Declared Dead and Other Chapters', THE GUARDIAN, May 22, 2011. — 49.7 kB
- Lloyd Wise, 'Taryn Simon Lever House Art Collection', ARTFORUM, March 1st, 2011. — 295.2 kB
- Joan Juliet Buck, 'Taryn's World', WMAGAZINE, November 2011 — 240.8 kB
- Sean O'Hagan, 'Taryn Simon: A living Man Declared Dead and Other Chapters', THE GUARDIAN, May 22, 2011 — 247.0 kB
- Claire Guillot, 'Taryn Simon dissèque en images les liens du sang', LE MONDE, March 31, 2011 — 9.7 MB
- Lloyd Wise, 'Taryn Simon Lever House Art Collection', ART FORUM, March 1st, 2011 — 308.2 kB
- Sean O'Hagan, 'Cow-Dung Toothpaste? Taryn Simon's book Contreband unloads America's baggage', The Guardian, January 3rd, 2011 — 494.0 kB
- Helena de Moura, 'Banned goods at JFK Airport shed light on American desires’, CNN, September 2010 — 310.1 kB
- Alison Zavos, 'Taryn Simon, New York’, Feature Shoot, September 2010 — 340.8 kB
- Faby Bierhoff, 'Taryn Simon. A living Man Declared Dead and Other Chapters', DE WITTE RAAF, November/ December, 2010. — 3.7 MB
- Miki Meek, 'An Illicit Whole Earth Catalog at J.F.K', THE NEW YORK TIMES, July 30th, 2010 — 78.6 kB
- Willem van Zoetendaal, ‘The best books of 2010’, Photo-eye Magazine, 2010 — 184.5 kB
- Morgan Falconer,'An American Index of The Hidden and Unfamiliar', THE TIMES, February 21st, 2009. — 80.7 kB
- Drusilla Beyfus, 'Taryn Simon: discomfort zone', TELEGRAPH, February 10th, 2009. — 195.7 kB
- Christy Lange, 'Access All Areas', FRIEZE, May 1st, 2008. — 219.7 kB