Don Brown

  • , Yoko XXVIII, 2009
    Bronze
    118,1 x 21 x 22,9 cm
  • , Yoko XXI, 2012
    Epson 10 colour HDR ink jet on Hahnemühle photorag 308gsm, framed
    145,8 x 110,7 cm
  • , Yoko XXII, 2012
    Epson 10 colour HDR ink jet on Hahnemühle photorag 308gsm, framed
    145,8 x 110,7 cm
  • , Yoko VII, 2012
    Epson 10 colour HDR ink jet on Hahnemühle photorag 308gsm, framed
    145,8 x 110,7 cm
  • , Yoko XXII, 2012
    Epson 10 colour HDR ink jet on Hahnemühle photorag 308gsm, framed
    145,8 x 110,7 cm
  • , Yoko XXVI, 2012
    Epson 10 colour HDR ink jet on Hahnemühle photorag 308gsm, framed
    145,8 x 110,7 cm
  • , Yoko XII, 2012
    Epson 10 colour HDR ink jet on Hahnemühle photorag 308gsm, framed
    145,8 x 110,7 cm
  • , Yoko VII, 2012
    Epson 10 colour HDR ink jet on Hahnemühle photorag 308gsm, framed
    145,8 x 110,7 cm
  • , Yoko VIII, 2012
    Epson 10 colour HDR ink jet on Hahnemühle photorag 308gsm, framed
    145,8 x 110,7 cm
  • , Yoko VIII, 2012
    Epson 10 colour HDR ink jet on Hahnemühle photorag 308gsm, framed
    145,8 x 110,7 cm
  • , Yoko VII, 2012
    Epson 10 colour HDR ink jet on Hahnemühle photorag 308gsm, framed
    145,8 x 110,7 cm
  • , Yoko XXXV, 2012
    Acrylic composite, gesso
    130 x 35 x 27 cm
  • , Yoko XXXIV, 2012
    Acrylic composite, gesso
    130 x 35 x 27 cm
  • , Yoko XVI, 2006
    Bronze
    118 x 32 x 27 cm
  • , Yoko XX, 2007
    Acrylic composite, gesso, wooden plinth
    137 x 45 x 30 cm
  • , Plum, 2008
    Acrylic composite, gesso, brass, wood
    68 x 23 x 23 cm
  • , Yoko XVIII, 2006
    Acrylic composite, gesso
    135 x 34 x 25 cm
  • , Yoko XVII, 2006
    Acrylic composite, gesso, wooden plinth
    118 x 43 x 43 cm

Since 1999, Don Brown’s wife Yoko has been the subject of his delicate and naturalistic sculptures. The artist pursues a sculptural ideal in a classical tradition, without heroism or idealization, demonstrating his technical virtuosity and attention to the smallest of details. Photographing his sculptures as a way of documenting his practice, he gradually discovered a certain autonomy in the medium, “it’s as if everything is concentrated in a single view and the surface is uninterrupted”, says the artist. In his large-scale renderings of fruit and eggs, Brown also has explored the tradition of the still life.


Exhibitions


Selected press

Due to the Coronavirus outbreak, all galeries are temporarily closed to the public, but remain accessible by appointment.