In Different Ways

Group Show


London, Savile Row

  • , Untitled (Swan Painting), 1998
    Oil, resin and enamel on canvas
    200 x 170 x 15 cm (framed)
    78 3/4 x 66 7/8 x 5 7/8 inches (framed)
  • , Nachtblau mit weisser kette, 1966
    Nachtblau mit weisser kette, 1966
    Oil on canvas
    162 x 130 cm
    63 3/4 x 51 1/8 inches
    Courtesy of the Estate of Ernst Wilhelm Nay and Almine Rech Gallery
  • , Untitled, 2012
    Rubber band, staples and acrylic on mounted newsprint
    223,5 x 243,8 x 5,6 cm
    88 x 96 x 2 1/4 inches
  • , To be titled, 2015
    Mixed media on canvas
    195,6 x 182,9 cm
    77 x 72 inches
  • , Gazing Ball (Manet Spanish Singer), 2014-2015
    Oil on canvas, glass, and aluminum
    175,9 x 136,5 x 37,5 cm
    69 1/4 x 53 3/4 x 14 3/4 inches
  • , Untitled, 2007
    Acrylic and oil on canvas
    200 x 240 cm
    78 3/4 x 94 1/2 inches
  • , Phe-Val, 2005
    Household gloss on canvas
    228,6 x 228,6 cm
    90 x 90 inches
  • , To be titled, 2016
    Acrylic, fluorescent acrylic and Roll-A-Tex on canvas
    182,88 x 195,58 cm
    72 x 77 inches
  • , Metronome, 2015
    Oil enamel on canvas over ester foam
    101,6 x 63,5 x 7,62 cm
    40 x 25 x 3 inches
  • , Untitled, 2015
    Acrylic on canvas
    254 x 190,5 cm
    100 x 75 inches
  • , A Steamed Friend (Menemsha), 2015
    Acrylic on canvas on wood
    215,9 x 118,1 cm
    85 x 46 1/2 inches
  • , Tabula, 1976
    Acrylic on canvas
    117 x 106 cm
    46 1/8 x 41 3/4 inches
  • , Capri, 2008
    Mixed media on canvas
    190 x 190 cm
    74 3/4 x 74 3/4 inches
  • , Untitled, 2014
    Oil on panel
    198 x 117 cm
    78 x 46 in

Press release

Paintings by Justin Adian, John M Armleder, Will Boone, Joe Bradley, Günther Förg, Peter Halley, Simon Hantaï, Damien Hirst, Jeff Koons, Erik Lindman, Ernst Wilhelm Nay, Richard Prince, Julian Schnabel, Blair Thurman, Christopher Wool.

The exhibition focuses on how artists have developed unique techniques—at times diverse within their own oeuvres—using a brush, airbrush, spray paint, silkscreen and even pouring paint, collaging a range of materials, questioning canvas and wood support structures, or a combination of these processes. Each work is representative of a unique, formal language, rooted in paintings’ extensive history while also looking towards new possibilities and interpretations for the medium in the twenty-first century…