Brent Wadden

The Decline


Brussels

  • , TBT, 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    101,8 x 86,4 x 4,4 cm
  • , TBT , 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    101,8 x 86,4 x 4,4 cm
  • , TBT , 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    101,8 x 71,5 x 4,4 cm
  • , TBT, 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    56,6 x 61,6 x 4,4 cm
  • , TBT , 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    257,4 x 218 x 4,4 cm
  • , TBT , 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    218 x 257,4 x 4,4 cm
  • , TBT , 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    218 x 257,4 x 4,4 cm
  • , TBT , 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    272,3 x 187,8 x 4,4 cm
  • , TBT , 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    242,7 x 193 x 4,4 cm
  • , TBT , 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    257,5 x 197,9 x 4,4 cm
  • , TBT , 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    182,7 x 183,1 x 4,4 cm
  • , TBT , 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    202,9 x 187,6 x 4,4 cm
  • , TBT, 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    207,6 x 188 x 4,4 cm
  • , TBT, 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    207,6 x 187,9 x 4,4 cm
  • , TBT, 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    207,6 x 187,9 x 4,4 cm
  • , TBT, 2014
    Handwoven fibers, wool, cotton and acrylic on canvas
    207,6 x 187,9 x 4,4 cm

Press release

Brent Wadden takes “The Decline of Western Civilization” as inspiration for “The Decline,” his first exhibition in Brussels’s Almine Rech Gallery. The Canadian-born and Berlin-based artist’s new paintings from his ongoing “Alignment” series embody the counterculture rejectionist spirit documented by Penelope Spheeris for her 1981 chronicle of Los Angeles’s punk scene in the late 1970s and early 1980s.  Spheeris, however, recorded a subculture dedicated to destruction.  By contrast, Wadden’s resistance takes shape through renewal, revision and attention to sustainability.

The punk rock movement and Wadden’s form of anti-consumerist creativity share rejection for immediate, cheap and disposable commodity culture. An often overlooked aspect of the punk aesthetic was a visual emphasis on reusing discarded goods and prolonging the life span of ephemeral material. Wadden weaves tactically rough geometric abstract tapestries constructed from second-hand synthetic and natural textiles. He sources his material from today’s cyber and real world last stop shops, such as eBay, Craigslist and thrift-stores.[…]